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posts about concerts. (page 3.)

i just read on spiegel online an article about britney spears leaving the stage for half an hour during a concert because of too much smoke (despite smoking being prohibited). in the beginning, the article seems to mock on her for this behaviour. i’m not a fan of mrs. spears, and she isn’t exactly an angel with respect to smoking herself, but this really makes me angry. smoky places are not just annoying, but unhealthy, and it far from funny being forced to stand smoke, in particular at concerts, as there is usually no choice of going to a “non smoking version” of the same concert. even worse, smoking is extremely bad for the singer’s voice. (okey, britney seems to do playback, but that’s not the point here.)
its really bad when at concerts which are declared as being smoke-free (mostly by law, it seems that most venue operators or bands don’t have the guts to enforce a smoking ban without being forced so by law – even though there are counterexamples, like die ärzte) someone decides that he can simply ignore this, and starts smoking. usually followed by several others doing the same. i hope that eventually times will come where the smoking bans are (more strictly) enforced, better sooner than later.
this has nothing to do with a lack of tolerance from the non-smoking side. don’t get me wrong: i don’t care (too much) what people do to themselves. but i do care what people do to me. (also see artica’s articles on the general subject.)

today, i saw dracula (imdb). the one from 1931. well, you might now think, “so what?” well, i did not just saw the movie on a big screen, but the more important reason – the one which made me pay CAD 52 for this show – was the score. the original movie did only had music played during the intro and the outro. until 1998, when minimalist philipp glass was given the task to write a score. he composed a string / piano piece, performed by him and the kronos quartet, under the direction of michael reisman. well, a philipp glass score together with the movie is still no reason to spend that much money – but a live performance of the score by philipp glass and the kronos quartett themselves, together with the movie, definitely is. the whole thing happend in the context of the high performance rodeo 2009 in calgary; an advertisement can be found here.
this was actually the first time i saw the movie. and probably the first time i saw béla lugosi in a movie not made by ed wood. well, it was quite funny, even though some of the dialogs were hard to follow because of the score.
anyway. this event was definitely worth its money.

in the last two weeks, i attended three concerts:

  • the first one was by the norwegian prog black metallers enslaved in the z-7. the concert was really good, even though enslaved could have played longer in my opinion. unfortunately, the place was pretty empty, which is something enslaved does not deserves.
  • the second concert was by the swedish prog death metallers opeth in the rohstofflager, with the ocean and cynic as support. the guys in the ocean apparently have an urge to move around. i’ve had it so often that stupid kids constantly jump you in the back if you’re standing in the front, but so far i never had it that band members constantly jump in front of you from the front. pretty annoying, somehow. anyway. they were ok. after them, cynic entered the stage. i never heard anything from them, but i heard some people praise them a lot, so i was really looking forward to hear them. well, i’m not sure yet how much i like them, i guess i should listen to their music intensively. but at least they sounded pretty cool. well, then, finally, opeth began to play. as usual, they were simply fantastic. here’s the playlist:
    1. heir apparent;
    2. the grand conjuration;
    3. godhead’s lament;
    4. the lotus eater;
    5. hope leaves;
    6. deliverance;
    7. demon of the fall;
    8. the drapery falls (encore).

    it’s nice to finally have heard godhead’s lament live.

  • finally, i saw the german medieval metal band in extremo. the support was the cologne based alternative rock band the black sheep, consisting of four girls, who did a good job opening the gig. then, finally, i was experiencing in extremo. as a lot of famous bands, the concert was also attended by a lot of annoying kids who gave their best to chase people away from good places. anyway, after losing my very good place in the very front, i found a still good one a bit farer away. i don’t know too many albums of in extremo, mainly older stuff, so i didn’t knew at least half of the material, but i still enjoyed it. (they were also the first band i saw who used pyrotechnics.) but there were also lot of songs which i knew, for example vollmond, wind, spielmannsfluch and ave maria.

yesterday, i attended a concert of die toten hosen, a german punk band. the opening band was something from norwegen, and i didn’t really like it. but, opposed to that, the concert by the hosen was good, even though i didn’t knew most of the newer songs. they played a lot of classics, like alles aus liebe, bonny & clyde, eisgekühlter bommerlunder, liebesspieler, schön sein, pushed again, wünsch dir was, zehn kleine jägermeister and hier kommt alex.
the technical gadgets were pretty nice. every band member (except the drummer) had his personal light man, who operated a spotlight aimed on that person. moreover, a set of led arrays hang down above the stage, forming a “broken” monitor, sometimes showing the waveform of the music, or animations fitting to the music.
we got three encores (most of the classic songs were played in the encores), one of them featuring a side blow to berlin, saying that now they’ll play real “jazz” (pronounced as jatz in german), featuring the beginning of eisgekühlter bommerlunder while mimicing jazz.
actually, the concert also had two bad sides. first, as so often, there were some assholes who thought that the smoking ban does not affects them. unfortunately, a common problem :(
the second thing was the great connection of the sap arena to public transportion. there’s a train station very near, the mannheim rangierbahnhof. featuring two wooden (!) platforms and no (!) ticket machine, a huge crowd was squeezed into short fast trains. well, even if there would have been a ticket machine inside the trains (which apparently wasn’t, as it turned out later), it was by no mean possible to reach it. whatever. we were pretty happy as after maybe half an hour the train emptied considerably, allowing us to finally sit down.

this friday, metallica held the release party for their newest album, death magnetic, in berlin. the concert was completely paid by metallica; the entrance fee, which was just 10 euros, was completely donated to the german heart center berlin. well, giving money to charity, listening to a good concert, meeting a friend and visiting berlin is always a good idea, so i was there ;-) the party took place in the new-built o2 world arena, next to the ostbahnhof:

after waiting for a long time outside, we were let inside. we weren’t able to get tickets for the standing area, only seat tickets, but who says you have to stay seated during the concert? here’s a view on the stage including the technical equipment including the speakers, hanging from the top of the hall:

first, the hall seemed quite empty, but as it got later, it filled up. the concert started at 21:30, even though it said 20:00 on the tickets… and i’ve never heard music played soooo loud before the concert, you basically had to scream at each other to make yourself understood. that was a bit annoying. anyway. then the show began, with lots of light effects (though no pyro stuff), loud and heavy music; after some absence (on the album side), back to good old thrash metal.
the setlist was as follows:

  1. that was just your life;
  2. end of the line;
  3. the thing that should not be;
  4. of wolf of man;
  5. one;
  6. broken, beat, and scarred;
  7. cyanide;
  8. frantic;
  9. until it sleeps;
  10. wherever i may roam;
  11. for whom the bells tolls;
  12. the day that never comes;
  13. master of puppets;
  14. blackened.
    encore:
  15. blitzkrieg;
  16. jump in the fire;
  17. seek and destroy.

my personal favorite from the new tracks is cyanide, as its best suited for head banging :) a cool part was when they released nets, installed at the roof, which contained big air-filled black balls with metallica written on them, which bounced around in the standing area on the hands of the fans. well, until they were more and more captured by some fans and tried to shrink, to make them easier to transport. well, here are some visual impressions:

on saturday, i visited the rock 2008, a one-day festival held on königstein fortress, located in the beautiful landscape of the saxon switzerland, together with a friend. here are some pictures from the fortress:

after strolling around the fortress interior a bit, we walked near to the stage to watch the first band, krieger, a german hard rock band. usually, the first band(s) playing on a festival have the ungrateful job of killing some time, while most of the crowd hopes they’ll stop soon. often, they aren’t exactly experienced or aren’t too good. but not krieger; they played a pretty solid kind of hard rock, maybe not exactly my style, but it was good and we enjoyed it. some photos:

after krieger, a short break took place when the stage was prepared for lacrimas profundere, a german gothic metal band. the break went on pretty fast, and the band entered the stage. i haven’t heard them before, just their name. i think i have to listen to some of their albums before i can give a better judgement, but they sounded pretty good. a photo:

a very noticeable thing about this festival was that all stage reconstructions were done very fast, and the sound quality was really good all the time. i haven’t seen this combination ever before; often, it seems that the reconstruction times were eternal and the sound quality still really bad.
another admireable thing was the strict adheration of the time table. the first two bands had like 30 minutes, and the whole festival was planned to be over by around 23 o’clock, and so they managed to do. even though the doors opened a few minutes later than planned. (well, please admit it, have you ever experienced some festival or concert without any delay?)
anyway, the third band was schandmaul, a german medieval metal band. i know a bunch of people who like them a lot, but this doesn’t change the fact that i managed to not know a lot of them except a few songs, maybe. schandmaul did a very nice show. they managed to get the last bits of the party rocking and rolling. definitely a very good live band. some photos:

then, finally, it was time for the big stars of the evening, the finnish cello rockers apocalyptica. i’ve already seen them last november in zürich, and they were one of the main reasons why i travelled so far for this festival. the stage design was as usual: four large metal chairs, formed like skulls, with a huge drumkit in the middle:

their performance was, as usual, excellent. it’s always amazing how eicca and perttu manage to combine heavy head banging with playing their cellos perfectly. unfortunately, antero wasn’t playing with a burning cello this time, though. besides that, they managed to let the crowd freak out, and played lots of great songs, including some of my very favorites like prologue (apprehension) from reflections and the norwegian black metal classichall of the mountain king from cult, featuring paavo stomping around the stage while playing the mountain king. simply great. here are some photos:

after maybe one and a half hour, everything was over. we took a peek at the merchandizing booth, where the guys from lacrimas profundere were waiting for their fans to talk, being photographed, autographing and talking. then, we took the bus down to the city of königstein and walked back to our hostel, where its owner, lutz, was waiting for the concert attendees at a nice bonfire.
well, i think this concert/festival qualifies for being one of the best i’ll attend this year. the technical stuff was marvellous, the timing good (except that at least lacrimas profundere should have played a bit longer and, well, apocalyptica could have played the whole day anyway :-) ). all four bands were ranging from good to excellent, and in particular the last two made the crowd go crazy. (even though i still don’t get it why on earth one wants to have a mosh pit while a gothic metal band is playing. but then, hell, kiddies aren’t exactly predictable…)

today i visited the rock sound festival in huttwil, switzerland. just for one day though, with one specific aim: to see the second band, opeth. before opeth, black tide played, which was ok. after opeth, the headliner for this evening played, namely avantasia was playing, from which we basically just saw the beginning of the first song they played, when we decided to leave (so guess how much we liked it).
ok. having seen opeth just recently, i was in particular curious on what they would play this time. unfortunately, the set list was pretty similar to the last one: they started with demon of the fall, continued with master’s apprentice, then with baying of the hounds, then to rid the disease, wreath, heir apparent and the drappery falls. and again, the sound quality and in particular the mixing was pretty suboptimal. but, an important difference was the denseness of people. the hall in which the concerts took place was filled, but with enough gaps to be able to breathe without problems (and not even being touched most of the time). and, there was no mosh pit. so one could stand in peace, enjoy the music, and throw some hair around without having to fear to be stomped to death or getting injured otherwise.
though there was another bad thing. namely, the infantile behaviour of some people in the audience, most notably by whistling loudly (which is really nice if people do that next to your ear, big fuck you‘s to them) or start clapping rythmically to certain parts of the music (hey, is this musikantenstadl?!)… well, shame on you, guys.
anyway. this trip was definitely worth it. opeth rocked the house again, and even though i already heard that set list, i still enjoyed it a lot. probably in particular also because of the way nicer atmosphere. and, mikael promised that opeth will come back in the end of this year! :-) and, last not but least, i had really nice companions. not being alone at concerts rocks!

this evening i experienced another concert, an instance of the progressive nation 2008 tour, featuring four bands all doing different kind of prog.
the opener was 3, a woodstock based prog/experimental rock band. they are really fantastic, and i have to get one of their albums—the ones at the concert were already sold out when i tried to get one. besides playing great music, they also had a great life performance. there were two bad things though, even though the band has nothing to do with them: first, lots of people decided its fun to smoke weed. i don’t care what people do to themself, but it’s pretty annoying to smell that all over the place without having the chance to go somewhere else. the second, way worse thing, was that some people decided to start a mosh pit. again, anyone might feel to do what he wants, but i hate it to get kicked and pushed around all the time without asking for it. in particular, a mosh pit might fit well to a metalcore band, but to a prog band?! geez…
well. the second band, between the buried and me, was a metalcore band—a prog metalcore band. i’ve never been a fan of metalcore, and this gig didn’t made that better. obviously, the situation in the front didn’t got any better, the mosh pit simply got larger…
then, after surviving this one, the main part of the evening began: opeth entered the stage. unfortunately, at the beginning, the accustics weren’t too great; for example, the keyboard was pretty quiet and sometimes hardly audible—even at parts where it basically was the only instrument playing. fortunately, this changed later. since the whole tour already played in calgary yesterday, they had a slightly different playlist today. yesterday, it apparently was master’s apprentice / baying of the hounds / in my time of need / wreath / heir apparent / the drapery falls. today, they apparently started with demon of the fall—which was a bit hard to grab, as the keys were too quiet and a certain mosh pit pretty annoying (though that got better later, maybe the kids got tired?). after that, they played baying of the hounds or beneath the mire—have to listen to them again, i think. the third song was to rid the disease, my favorite song from the proggy damnation album. after that, they played heir apparent—something from the new album, which really rocked, i’m really looking forward for it—and the drappery falls. then, mikael noticed that he screwed up the set list, i.e. that they had enough time to play one more song. they decided to play wreath from the deliverance album, which i’m really really happy about: so far, i’ve never heard that song life, and i really like it a lot. unfortunately, as it’s a really heavy song, it again got pretty uncomfortable in the front. i still managed to throw my hair around, in particular at the end of the song. then, it was over.
after that, i decided to buy something to drink; it was some banana smoothie. somehow it looks like my stomach didn’t like the idea too much, so i wasn’t feeling too good afterwards, as dream theater began to play. shortly after they began, i decided to sit down at the back of the hall. besides not feeling too good, the concert was nice. they started off with in the presence of enemies and also played a lot older stuff, for example from the scenes from a memory album, one of my favorites. after their first part, a funny video showing some super mario sequences with dream theater references put in was shown, with both dream theater music in gameboy style and real music. the encore began with some improvisation, first by jordan rudess on some cute electronic device, then accompanied by john petrucci, and later by the other band members, which turned into a pretty cool medley.
too bad it’s over.
if there wouldn’t have been some annoying people around, and if maybe between the buried and me wouldn’t have played and 3 and opeth played much longer, it would be definitely the best concert this year. it still is a very good one, but as it was it has tight competition, for example the symphony x show in hamburg. but then, in particular 3 rocked the house, and i have to take a closer look on them. the new opeth album also sounds very promising, at least the two songs i’ve heard so far: heir apparent today and the porcelain heart video. and, i just saw, roadrunner offers the lotus eater for download. have to check that out, too…