last year, some days before christmas, we attended a concert by swallow the sun in leipzig, germany, with support by insomnium and omnium gatherum. it was the last concert of the new moon tour. (no vampire shit, though ;-) ) you might know that swallow the sun is one of my favourite bands. they played in a small youth club, conne island, which wasn’t the easiest to find. but eventually, we found it. fortunately, nobody complained that i took my favourite toy with me; so this time, i managed to make some good photos.
i think that this concert was the best one i attended in 2009. ok, i have to admit there haven’t been many concerts in 2009 anyway. but nonetheless, this one was very good. the bands played great music and obviously had fun. (and: they played the giant, one of my favourite songs, in the encore!) unfortunately, the audience didn’t manage to sing “we want more” in finnish, so most sang a few times “zugabe” and then stopped doing anything at all, resulting in an awkward half-silence. but the band fortunately still came back.
now have fun watching some of the photos. if you want to know more about the concert, read someone else’s report ;-)

omnium gatherum.

insomnium.

during the concert of insomnium, members of the other bands showed up on the stage, and equiped insomnium’s singer niilo with a funny hat and a sign saying “korpiklaani”. he eventually removed the hat by banging his head:

swallow the sun.

during swallow the sun’s performance, members of the other bands had fun installing a pink dildo first at the keyboard and then, later, at the singer’s microphone:

as opposed to the korpiklaani “hat”, the dildo stayed there for the rest of the concert.

in my post on wikipedia, i was complaining that the article about the chilenian doom metal band mar de grises has been deleted because it the band is “irrelevant”. hence, i thought it would be a good idea to write a bit about them. when writing the post on wikipedia, i re-started listening to them more intensely, and in fact have been listening to their two albums the tatterdemalion express and draining the waterheart pretty intensively over the last weeks.
their music is a beautiful mixture of dark, gloomy metal, intense doom, beautiful melancholic melodies. progressive elements, sometimes experimental elements, often slow, always dark. it is complex, never boring.
mar de grises is one of the bands you should keep an eye on, as they are rising and they are good.

the third piece of art i bought is the grimalkin by the german prog/doom project noekk. the cover depicts a beautiful black and white image of an old, wooden house with a window and lots of green in front of it, which made me wanting to listen to it. the album begins very interesting, with a small foreplay which sounds both strange, somehow, and, at the same time, makes the prog interested hearer curious on how this thing continues. the music evolves into a stream of various styles interwoven to a beauty, taking you by your hand, pulling you into a colorful world of fantasy. featuring three tracks, of eleven, ten and twenty minutes, this album sounds like a real gem of beautiful prog, which is not only a beautyful soundscape, but also tells stories, of beautiful dream worlds, having dark, gloomy parts, secrets.

while browsing around in my favourite music store in town some time ago, i stumbled across several very good albums. one of them, about whom i want to write today, is ashes against the grain by the american folk/black/doom metal band agalloch.
a stream of dark, intense music. full of beautiful, sad melodies. doomy. somehow, catchy, too. creating mental images.
the first track, limbs, is a very good example for this. i feel beauty and despair, going hand in hand.
also a very beautiful song is this mountain on which you will die, with eyes closed, i feel like through a foggy, snow-white landscape in the mountains. a gloomy atmosphere is building up. staying, while the music fades out…
another beauty is not unlike the waves, beginning with the sound of waves. powerful; full of energy, pushing forward, almost no rest. clean vocals mixing with screaming. beautiful.
the album ends with the three-parter our fortress is burning…. the first part is more quiet, slow. at the end, distorted guitars are lightening up in the background, like flames starting to lick, trying to spread. in part two, they gain more intense, spreading over the fortress, while in the more drony part three, they eat up everything. destruction. death. the end has begun.

yesterday i stumbled about the gathering’s latest live dvd, a noise severe, recorded in march 2007 in chile. a few months later, their singer, anneke van giersbergen, quit the band. (which, in my opinion, is the end of the band; if they will continue, they will be something very different…)
the dvd contains a lot of songs from their older albums, like the “debut” mandylion (their first album with anneke and, in my opionion, their best one), nighttime birds, how to measure a planet? (which i don’t like too much) and if_then_else. the first two can be more categorized as atmospheric doom with progmetal and gothic influences, while how to measure a planet? drifts off into a very experimental alternative rock/prog direction; the last, if_then_else, is more into a trip rock.
well, so much about the facts.
i’ve already mentioned several times that mandylion is really good. and i’ll do it again. it’s one of the few albums (next to sentenced’s frozen) where i like every track, to which i can listen for hours, again and again. so filled with energy, groove, raw power, emotions. so beautiful. (my favourite song is probably leaves, whose music video you can watch here.)
well, mandylion is their best album, i’d say, but they also have other good ones. one which i don’t really know—shame on me!—is nighttime birds, mandylion’s successor, which seems to be very good, too. and there’s if_then_else, which has several really good tracks, like the melancholic saturnine or a beautiful instrumental called beautiful war.
somehow it’s really a pity that i never managed to see them.

“the day you went away
you had to screw me over
i guess you didn’t know
all the stuff you left me with
is way too much to handle
but i guess you don’t care”

from saturnine by the gathering.

today i stumbled about a song called gloomy sunday, originally composed by the hungarian pianist rezső seress. there are probably as many urban myths about this song, which is also known as the hungarian suicide song, as there are cover versions… i like the original lyrics the most; you can read them here (both the original hungarian version and a literal translation). reads like a typical doom song, just written around 50 years too early…
for me, it seems like a really strange idea to kill yourself because of listening to a song, and in particular, it seems really strange to blame a song for making people commit suicide. for me, it sounds like an excuse for not having to search for other reaons… maybe it was the last straw to tip people off, or suicideers decided to listen to it on or shortly before their suicide because it expresses their feelings.
but anyway. i’m somehow wondering whether a doom metal band has covered this one, too; the only metal band i found who did this is a german black metal act called negator; a video of a life performance can be seen at their homepage (don’t watch it if you don’t like black metal); they are performing sam m. lewis‘ english version of the song. i didn’t like it too much, first of all because i don’t think black metal fits here and, secondly, i’d prefer something more close to the original lyrics.

it is autumn and the leaves are falling
all love has died on earth
the wind is weeping with sorrowful tears
my heart will never hope for a new spring again
my tears and my sorrows are all in vain
people are heartless, greedy and wicked…

literal translation of the first stanza taken from phespirit.info.

here i want to write a bit about doom music, as a huge part of the music i listen to can be counted to this category. in general, it can be characterized as slow, heavy music with dark lyrics, dealing with depression, death, despair, gloom, dying, doomed/unhappy love, and despair. it appears in various shapes, blended with many different genres, including death metal, ambient, noise, gothic music and jazz. even though non-metal doom music does exists, most of doom music is probably metal.
(note that i like all the bands i mention here quite alot, except probably the older stuff of celtic frost which, i have to admit, is mostly unknown to me.)

one of the more traditional doom metal bands is candlemass, with their 1986 album epicus doomicus metallicus being a major landmark in the doom metal genre. the album is opened by the song solitude (“please let me die in solitude”) which is, in my opinion, one of the best doom songs.

an important crossover doom genre is death/doom which is, surprise!, a crossover between death metal and doom music. usually a bit faster than other doom styles but still being way slower than usual death metal, it features death growls, sometimes mixed with clean vocals, and certain playing styles from death metal such as fast double bass kicking. two bands in this genre i like are swallow the sun—one of my most favourite bands; see here— and novembers doom. notably are also the older works of bands as anathema (see here), now playing atmospheric metal, the gathering (see here), now playing progressive/alternative/trip rock, and sentenced—another one of my most favourite bands; see here—, who later turned to more gothic doom or plain heavy metal, before disbanding 2005.

out of death/doom, another doom crossover called funeral doom developed, by slowing down the music, resulting in something which is as slow as a funeral march, hence hinting where its name comes from. besides the lack of speed, the music is even heavier, but also features more ambient like parts. two bands in this category are tyranny and unholy (see here).

related to funeral doom is drone doom, abstracting even more by reducing to a kind of minimalistic music, mainly consisting of a stream of drones, i.e. very long lasting notes, while often lacking traditional music structures like rythm or melody, with vocals often so distorted that they are barely understandable. the songs usually last very long, from something between ten and twenty minutes to sometimes filling a whole cd with one song. two important bands in this genre are sunn o))) and boris (see here).

another doom genre which is pretty detached from metal is doom jazz or noir jazz, a blend of doom music and jazz. the only example i know is bohren & der club of gore, a german band who started mixing jazz with hardcore and ambient, resulting in some kind of doom music. later, when their guitar player left, they replaced him by a saxophonist, turning the band completely into a jazz ensemble. their current style is a very dark kind of jazz, without vocals, somehow almost more ambient, somehow similar to funeral doom.

a lot of other more experimental acts exist, like early the 3rd and the mortal (see also here) stuff, which can be described as experimental/atmospheric doom, or the zürich based metal legend celtic frost, whose last album monotheist could be in parts counted as a certain kind of avantgarde/experimental doom.

another, more “standard” doom metal approach is gothic doom, a mixture of doom with gothic metal. my favourite in this area is type o negative, and in particular their most depressing album world coming down. some bands which i would also count into this category are tiamat, lake of tears and later sentenced. tiamat evolved more to gothic rock and had included also different influences besides gothic doom. sentenced began with death/doom, switching to more gothic doom and finally more to a kind of heavy/gothic metal. lake of tears, whose origin lay more in the death/doom origin, went through a change between several different genres; the albums which fit best as gothic doom are headstones, a crimson cosmos and forever autumn, all being somehow different to each other.

i think it’s time to take a look at the list of concerts i attended this year and to list the best ones. at these two links, you can find a pretty complete list of the concerts i attended. i decided to divide the top list into two categories: prog and metal.

prog

for the third place, i cannot decide between three concerts, all which took place in pratteln in the z-7, namely, first, the spock’s beard gig on the 16.05.2007, second, the anathema & moondawn gig on the 31.05.2007, and, third, the fish gig on the 27.11.2007. all three gigs have been very good. most memorable was probably spock’s beard keyboardist, playing with both hands and feet, while his poor technician had to hold the keyboard construction together so it wouldn’t fall apart.

the second place goes to the blackfield & pure reason revolution concert, which took place on the 24.02.2007 in pratteln (z-7). i think this was the first concert where i really liked the opener, so much that i bought one of their albums. actually, i had to order it by mail, as the ones they had with them were sold out at the end of their concert (hence, i wasn’t the only one who liked it alot). the main act itself, blackfield, a collaboration between the porcupine tree frontman steven wilson and the israeli rock star aviv geffen, was also really good.

the first place goes to the porcupine tree & anathema concert, which took place on the 12.11.2007 in zürich (volkshaus). despite several people in the audience didn’t like anathema too much (“too boring”), i was pleased to see them again. for me, their music expresses simply too many emotions to be boring, eating up energy until bursting into the listener’s ear. the main act, porcupine tree, one of my favourite bands, was as good as i expected them to be. even though they played a lot from the current album, fear of a blank planet, which i don’t like as much as some of the older ones, they also played many classics. unfortunately, they didn’t played arriving somewhere but not here, which i would really loved to listen to. but, besides that, i still think this is the best prog concert i attended this year.

metal

again, as before, i cannot decide on someone for the third place, but i have two canidates in mind. the first one is the dream theater & symphony x concert, which took place on the 31.10.2007 in winterthur (eulachhallen). the second canidate is the apocalyptica & sturm und drang concert, which took place on the 09.11.2007 in zürich (volkshaus). all these bands are really good, and the shows they delivered were so, too, featuring many small details, as neat decoration. but both of these concerts also have their sides. namely, symphony x played way too short (but then, i’ll see them again next february as headliner), the location was strange (the wardrobe was outside), and dream theater could have played longer, too (i heard the rumor that the local organizer fucked this up by not registering the concert with the authorities, which in turn resulted in the police ordering the concert to be ended earlier). at the apocalyptica concert, i didn’t like the opener sturm und drang too much; they played really good and professional, but it simply wasn’t the kind of music which i really like.

the second place is filled by the amorphis, swallow the sun & insomnium concert, which took place at the 18.11.2007 in pratteln (z-7). (videos from the concert can be found here.) this concert featured three very good finnish bands, one of them, namely swallow the sun, being one of my favourite ones. their shows were good, the selection of songs was, too (i would have loved to hear some more swallow the sun songs, but then, i would probably have only been really pleased if they would have simply played all songs from their three albums, which is slightly unrealistic to expect from a co-headliner). i was headbanging a lot, met some friends, had a lot of fun.

the first place goes to the moonsorrow & swallow the sun concert, which took place at the 09.04.2007 (easter monday) in pratteln (z-7). actually, there was a third band playing as an opener, whose name i forgot. this concert was one of the most incluencal concert for me this year, not only as it introduced me to two bands, namely moonsorrow and swallow the sun, which i now count as two of my most favourite bands. besides that, the atmosphere was simply perfect, and so was the audience. i still remember headbanging with eric (a guy i met on this concert and on another one a bit later, who’s also an opeth fan), even though headbanging right next to the mosh pit can be pretty painful…

a very special, extraordinary band is the 3rd and the mortal, founded 1992 in norway. one of the first bands featuring a female lead singer, kari rueslåtten, they made a very atmospheric kind of doom metal, and later turned into more experimental stuff. unfortunately, kari left after the first two albums, the ep sorrow and the first full-length album tears laid in earth, which is considered to be the best album by the 3rd and the mortal.
it features eleven songs, ranging from only featuring kari’s voice, as the opener vandring, being somehow psychedelic, as shaman, being more heavy, as death-hymn, and instrumentals, as trial of past. the songs invite one to close the eyes, start dreaming. listening to kari’s enchanting voice carries me into a fantastic, gorgeous world. painted sometimes in dark, sometimes in hopeful colors, telling of love, death, sorrow. i’d say it’s one of the most beautiful albums i’ve ever listened to.

(well, a third one this weekend.) today, the finnish acts amorphis, swallow the sun and insomnium were playing in the z-7. the last weeks, i was anxiously waiting for this concert, as swallow the sun is one of my most favourite bands at the moment, as amorphis is also pretty good and i’ve been told that so is insomnium.
well. after arriving and seeing nobody i knew, insomnium started to play. they’re doing melodic death metal, and i really liked them. during their gig, i spotted a couple i’ve already met on arena’s and threshold’s concerts. it’s always nice not to be alone on a concert :)
then, after a short break, swallow the sun’s gig started. the one i really looked forward to. starting with the first three minutes of gloom, beauty and despair as an intro, they started with a great tour through their whole discography. the complete playlist:

1. intro (first three minutes of gloom, beauty and despair);
2. hope;
3. descending winters;
4. don’t fall asleep (horror, pt. 2);
5. out of this gloomy light (live recording);
6. the ship;
7. these hours of despair (live recording);
8. deadly nightshade;
9. swallow (horror, pt. 1).

unfortunately, there was no encore. (i hope i’ll see swallow the sun as the headliner once…) to the sounds of the twin peaks score, the stage was rebuild for amorphis (last concert, they used twin peaks music as the intro). well. then amorphis played, the headliner for this evening, and also delivered a great show.
finally, everything was over, we walked back to the train station, arrived in zürich, and from there i had to walk home alone. well, same as yesterday, so i’m pretty much used to it :) now i’m looking forward to see how my neck’ll be feeling like, after so much headbanging… but it was definitely worth it!

i first met swallow the sun on their concert in the z-7 in april, as a co-headliner of moonsorrow. lately, i’ve again started listening to their album hope, which i bought directly after the concert, and decided to get more, namely first their second album ghosts of loss and, finally, their debut, the morning never came. their music is dark, really dark. full of beauty, of intensity, of gloom, of melancholy. so intriguing, gripping me, making me longing for more. slow moments alternating with blasting, heavy moments. clear voice alternating with death voice, giving another example where death voice fits perfectly, increasing the intenseness of the music. as the line “insane pain” in the giant—one of my favourite songs—which, if presented in clear voice, would not making me shiver that much, would not paint the pictures in my head in such intense, vivid colors. a few lines from that song:

“i’ve been hiding this giant for too long
and it’s grown like a parasite inside me
under this shadow i’ve been walking
now it’s taken over me, and she…
the pure girl, leave me before it’s too late
or i will cut your wings”

another favourite of mine, gloom, beauty and despair, another song from the great ghosts of loss album (containing several twin peaks references), is not using clear vocals after all. the first three minutes, the music being slow, melodic, melancholic, the lyrics, telling the story of someone mourning the loss of his loved one, being barely understandable, as it’s screamed and whispered at the same time, making me feel the desperation, the anger, the mourning. simply beautiful. then, piano hits in, picking up the theme from the beginning, until the guitars and the death growls take over, the music still being slow, melancholic, but heavier, more desperate, making me feeling with the narrator.
i’m really looking forward to see them again.