tuesday night, i attended a concert by the chilenian progressive doom metal band mar de grises, the islandic viking metal band sólstafir, and the finnish death doom metal band swallow the sun, held in the matrix in bochum. i went to this for two reasons: first, to see swallow the sun another time; last time i saw them was last year before christmas in leipzig. the second reason is mar de grises. i was really glad to finally have a chance to see them.
i arrived slightly late, due to bad weather, which was no problem since the concert was opened by two local bands i didn’t really wanted to see. the first one seemed to be a doom band, and i didn’t really like the second band’s music style. they both were ok, but i would have rather not seen them and heard mar de grises playing longer ;-) both opening bands were pretty much ok though, compared to many other openers i’ve seen so far…
while the openers were playing, i checked out the merchandizing booth. there was nothing new of interest in the swallow the sun section, so i inspected the mar de grises section. they had a special edition of draining the waterheart (including a 16 minute bonus track called unconscious passenger), the new album, some t-shirts, and two albums from other chilenian bands, one of them a funeral doom band called lethargy of death, a project of one of the band members. i bought the digipack, the new album, the lethargy of death album as well as the last available unconscious passenger t-shirt. some money invested well, i hoped. (and so far, i’m right about this :-) )
after the two openers, mar de grises started playing for 45 minutes. i was in the front row, which was no problem since the location wasn’t exactly stuffed, and nobody tried to be at the very front. in fact, i was like two meters away from the stage. unfortunately, the audio quality was really bad. i don’t know whose fault this was, if it was the mixing, the location, or whatever, but it was just bad. i was happy that i knew many of the songs they played, so i knew what it was supposed to sound like, so it was more a problem for sólstafir, since i heard them the first time…
well. despite the poor sound quality, mar de grises‘ performance was great. i really like this band. following mar de grises, sólstafir entered the stage. at that point, i wasn’t feeling very well, thanks to all the fucking bastards smoking inside the location. you can’t really enjoy a concert with itching eyes and having a headache. i really miss the nonsmoker protection laws i experienced in canada and other parts of europe…
i didn’t like sólstafir‘s performance too much, but i’m not sure whether this is just related to the horrible air and the awful sound quality, or if it’s their music. some time ago i listened to a couple of songs of them, and i don’t remember being disappointed back then. so maybe i have to give them another try…
finally, swallow the sun started playing. they played songs from all over their albums, which was really nice. some of my favorites, such as the giant, were played as well!
unfortunately, it seemed that the crowd got thinner and thinner. when they went off the stage before the encore, luckily enough people were still there to make some noise. they came back pretty fast, before the people started making noise and launching an awkward silence. they played descending winters, and after that the concert was over.
well. if the sound and air quality would have been better, this concert would have been really great. but unfortunately, that wasn’t the case… (but that’s not the bands’ fault…)

the twentyfourth video is winter wind sings by the black league. the lyrics can be found here.

this is doom metal. try it if you like darker, heavier stuff.

i like it because… it’s a dark and heavy earworm, sung by taneli jarva in his typical dark voice.
another song on the same album, ichor, is an interpretation of the sonnet ozymandias by percy bysshe shelley. if it would come with a video, it would be the main feature of this post.

the fourteenth video is next in line by nevermore. it’s a song about drug abuse, about someone addicted, longing for a hot shot. the lyrics can be found here.

this is power/doom metal. you can try it if you dare.

i like it because… the slow, dark beginning, the strange imagery, especially the white masks in the video, creating a somehow surreal world (especially the 15 seconds starting at 2:53 in the video).
another nevermore song, touching me even more than this one, and which unfortunately has no video, is dreaming neon black. a sad story, of someone who lost his love to a sect, and cannot forget her after the vanished a long time ago, still dreaming of her. of her drowning, while crying for him.

last year, some days before christmas, we attended a concert by swallow the sun in leipzig, germany, with support by insomnium and omnium gatherum. it was the last concert of the new moon tour. (no vampire shit, though ;-) ) you might know that swallow the sun is one of my favorite bands. they played in a small youth club, conne island, which wasn’t the easiest to find. but eventually, we found it. fortunately, nobody complained that i took my favorite toy with me; so this time, i managed to make some good photos.
i think that this concert was the best one i attended in 2009. ok, i have to admit there haven’t been many concerts in 2009 anyway. but nonetheless, this one was very good. the bands played great music and obviously had fun. (and: they played the giant, one of my favorite songs, in the encore!) unfortunately, the audience didn’t manage to sing “we want more” in finnish, so most sang a few times “zugabe” and then stopped doing anything at all, resulting in an awkward half-silence. but the band fortunately still came back.
now have fun watching some of the photos. if you want to know more about the concert, read someone else’s report ;-)

omnium gatherum.

insomnium.

during the concert of insomnium, members of the other bands showed up on the stage, and equiped insomnium‘s singer niilo with a funny hat and a sign saying “korpiklaani”. he eventually removed the hat by banging his head:

swallow the sun.

during swallow the sun‘s performance, members of the other bands had fun installing a pink dildo first at the keyboard and then, later, at the singer’s microphone:

as opposed to the korpiklaani “hat”, the dildo stayed there for the rest of the concert.

in my post on wikipedia, i was complaining that the article about the chilenian doom metal band mar de grises has been deleted because it the band is “irrelevant”. hence, i thought it would be a good idea to write a bit about them. when writing the post on wikipedia, i re-started listening to them more intensely, and in fact have been listening to their two albums the tatterdemalion express and draining the waterheart pretty intensively over the last weeks.
their music is a beautiful mixture of dark, gloomy metal, intense doom, beautiful melancholic melodies. progressive elements, sometimes experimental elements, often slow, always dark. it is complex, never boring.
mar de grises is one of the bands you should keep an eye on, as they are rising and they are good.

the third piece of art i bought is the grimalkin by the german prog/doom project noekk. the cover depicts a beautiful black and white image of an old, wooden house with a window and lots of green in front of it, which made me wanting to listen to it. the album begins very interesting, with a small foreplay which sounds both strange, somehow, and, at the same time, makes the prog interested hearer curious on how this thing continues. the music evolves into a stream of various styles interwoven to a beauty, taking you by your hand, pulling you into a colorful world of fantasy. featuring three tracks, of eleven, ten and twenty minutes, this album sounds like a real gem of beautiful prog, which is not only a beautyful soundscape, but also tells stories, of beautiful dream worlds, having dark, gloomy parts, secrets.

while browsing around in my favorite music store in town some time ago, i stumbled across several very good albums. one of them, about whom i want to write today, is ashes against the grain by the american folk/black/doom metal band agalloch.
a stream of dark, intense music. full of beautiful, sad melodies. doomy. somehow, catchy, too. creating mental images.
the first track, limbs, is a very good example for this. i feel beauty and despair, going hand in hand.
also a very beautiful song is this mountain on which you will die, with eyes closed, i feel like through a foggy, snow-white landscape in the mountains. a gloomy atmosphere is building up. staying, while the music fades out…
another beauty is not unlike the waves, beginning with the sound of waves. powerful; full of energy, pushing forward, almost no rest. clean vocals mixing with screaming. beautiful.
the album ends with the three-parter our fortress is burning…. the first part is more quiet, slow. at the end, distorted guitars are lightening up in the background, like flames starting to lick, trying to spread. in part two, they gain more intense, spreading over the fortress, while in the more drony part three, they eat up everything. destruction. death. the end has begun.

yesterday i stumbled about the gathering‘s latest live dvd, a noise severe, recorded in march 2007 in chile. a few months later, their singer, anneke van giersbergen, quit the band. (which, in my opinion, is the end of the band; if they will continue, they will be something very different…)
the dvd contains a lot of songs from their older albums, like the “debut” mandylion (their first album with anneke and, in my opionion, their best one), nighttime birds, how to measure a planet? (which i don’t like too much) and if_then_else. the first two can be more categorized as atmospheric doom with progmetal and gothic influences, while how to measure a planet? drifts off into a very experimental alternative rock/prog direction; the last, if_then_else, is more into a trip rock.
well, so much about the facts.
i’ve already mentioned several times that mandylion is really good. and i’ll do it again. it’s one of the few albums (next to sentenced‘s frozen) where i like every track, to which i can listen for hours, again and again. so filled with energy, groove, raw power, emotions. so beautiful. (my favorite song is probably leaves, whose music video you can watch here.)
well, mandylion is their best album, i’d say, but they also have other good ones. one which i don’t really know—shame on me!—is nighttime birds, mandylion‘s successor, which seems to be very good, too. and there’s if_then_else, which has several really good tracks, like the melancholic saturnine or a beautiful instrumental called beautiful war.
somehow it’s really a pity that i never managed to see them.

“the day you went away
you had to screw me over
i guess you didn’t know
all the stuff you left me with
is way too much to handle
but i guess you don’t care”

from saturnine by the gathering.

today i stumbled about a song called gloomy sunday, originally composed by the hungarian pianist rezső seress. there are probably as many urban myths about this song, which is also known as the hungarian suicide song, as there are cover versions… i like the original lyrics the most; you can read them here (both the original hungarian version and a literal translation). reads like a typical doom song, just written around 50 years too early…
for me, it seems like a really strange idea to kill yourself because of listening to a song, and in particular, it seems really strange to blame a song for making people commit suicide. for me, it sounds like an excuse for not having to search for other reaons… maybe it was the last straw to tip people off, or suicideers decided to listen to it on or shortly before their suicide because it expresses their feelings.
but anyway. i’m somehow wondering whether a doom metal band has covered this one, too; the only metal band i found who did this is a german black metal act called negator; a video of a life performance can be seen at their homepage (don’t watch it if you don’t like black metal); they are performing sam m. lewis‘ english version of the song. i didn’t like it too much, first of all because i don’t think black metal fits here and, secondly, i’d prefer something more close to the original lyrics.

it is autumn and the leaves are falling
all love has died on earth
the wind is weeping with sorrowful tears
my heart will never hope for a new spring again
my tears and my sorrows are all in vain
people are heartless, greedy and wicked…

literal translation of the first stanza taken from phespirit.info.

here i want to write a bit about doom music, as a huge part of the music i listen to can be counted to this category. in general, it can be characterized as slow, heavy music with dark lyrics, dealing with depression, death, despair, gloom, dying, doomed/unhappy love, and despair. it appears in various shapes, blended with many different genres, including death metal, ambient, noise, gothic music and jazz. even though non-metal doom music does exists, most of doom music is probably metal.
(note that i like all the bands i mention here quite alot, except probably the older stuff of celtic frost which, i have to admit, is mostly unknown to me.)

one of the more traditional doom metal bands is candlemass, with their 1986 album epicus doomicus metallicus being a major landmark in the doom metal genre. the album is opened by the song solitude (“please let me die in solitude”) which is, in my opinion, one of the best doom songs.

an important crossover doom genre is death/doom which is, surprise!, a crossover between death metal and doom music. usually a bit faster than other doom styles but still being way slower than usual death metal, it features death growls, sometimes mixed with clean vocals, and certain playing styles from death metal such as fast double bass kicking. two bands in this genre i like are swallow the sun—one of my most favorite bands; see here— and novembers doom. notably are also the older works of bands as anathema (see here), now playing atmospheric metal, the gathering (see here), now playing progressive/alternative/trip rock, and sentenced—another one of my most favorite bands; see here—, who later turned to more gothic doom or plain heavy metal, before disbanding 2005.

out of death/doom, another doom crossover called funeral doom developed, by slowing down the music, resulting in something which is as slow as a funeral march, hence hinting where its name comes from. besides the lack of speed, the music is even heavier, but also features more ambient like parts. two bands in this category are tyranny and unholy (see here).

related to funeral doom is drone doom, abstracting even more by reducing to a kind of minimalistic music, mainly consisting of a stream of drones, i.e. very long lasting notes, while often lacking traditional music structures like rythm or melody, with vocals often so distorted that they are barely understandable. the songs usually last very long, from something between ten and twenty minutes to sometimes filling a whole cd with one song. two important bands in this genre are sunn o))) and boris (see here).

another doom genre which is pretty detached from metal is doom jazz or noir jazz, a blend of doom music and jazz. the only example i know is bohren & der club of gore, a german band who started mixing jazz with hardcore and ambient, resulting in some kind of doom music. later, when their guitar player left, they replaced him by a saxophonist, turning the band completely into a jazz ensemble. their current style is a very dark kind of jazz, without vocals, somehow almost more ambient, somehow similar to funeral doom.

a lot of other more experimental acts exist, like early the 3rd and the mortal (see also here) stuff, which can be described as experimental/atmospheric doom, or the zürich based metal legend celtic frost, whose last album monotheist could be in parts counted as a certain kind of avantgarde/experimental doom.

another, more “standard” doom metal approach is gothic doom, a mixture of doom with gothic metal. my favorite in this area is type o negative, and in particular their most depressing album world coming down. some bands which i would also count into this category are tiamat, lake of tears and later sentenced. tiamat evolved more to gothic rock and had included also different influences besides gothic doom. sentenced began with death/doom, switching to more gothic doom and finally more to a kind of heavy/gothic metal. lake of tears, whose origin lay more in the death/doom origin, went through a change between several different genres; the albums which fit best as gothic doom are headstones, a crimson cosmos and forever autumn, all being somehow different to each other.