last wednesday, i was with a friend at another concert in the z-7. according to orphaned land‘s singer kobi farhi, this concert was part of the first (european?) oriental metal tour ever. the tour features four bands: the french hardcore/punk/metal band artweg, the tunesian progressive metal band myrath, the algerian/french melodic death metal band arkan as well as the israelian progressive death metal band orphaned land.
the opening band, artweg, wasn’t my personal favorite, mostly because i’m not that much into hardcore. nonetheless, they delivered a very good stage show. the second band was myrath from tunesia (according to encyclopaedia metallum, the first tunesian (metal?) band to be signed on a label). they are playing very progressive metal, and influences from bands like symphony x and dream theater are very audible, but also their oriental influences. this band is really fantastic, and made me buy their two albums which were available on the merch stand ;-) after myrath, arkan entered the stage. during the first song, there were only screamed male vocals, which i didn’t liked too much, but as soon as their female singer entered the stage and the vocal quality increased a lot :-) from that point on, i really enjoyed their music. i ended up buying one of their albums as well… finally, orphaned land entered the stage. i’ve been waiting for some years to finally see them live, and i have to say that it was totally worth it. (no need to buy albums here, since i already have them all ;-) )
one thing i felt really bad about was that the concert was very poorly attended. there were maybe little over 50 attendees, in a hall which fits many hundreds. this was really a shame, as the concert was – at least for me – probably the best one this year. i really hope the bands are more lucky at their other gigs!

i just got orphaned land‘s new album, the never ending way of orwarrior, after long years of waiting. it’s amazing! the first track, sapari, is really catchy. i’m pretty much addicted to it. i might write more about the album later, but for now, here’s the official video for sapari:

edit: apparently, century media requested to delete that video and replaced it by another version of the same thing, with a more “hip” title. great. whatever. here’s the new version:

for some reason, they screwed it up that a lot of hyphens appear in the title… whatever…

three years after releasing ghost reveries, opeth released their 9th observation, called watershed.
it is opened by the beautiful, instrumental coil, sung by mikael akerfeld and nathalie lorichs. this is followed by the intense, heavy tune heir apparent, which i already have been able to listen to live two times. after that, the lotus eater follows, another heavy track with lots of proggy interludes which was already available for download some time ago. track #4 is burden, a melodious, more mellow, proggy track, the first half of it being sung by mikael, the second part being instrumental, with an accoustic guitar finally shifting downwards, until an abrupt strange ending. then, porcelain heart, which was already released as a video before, starts. again, alternativing between loud and quiet, beauty and wildness. after that, hessian peel, starting mellow, beautiful. then, after a small piano solo phase, the brutality returns, in its beautiful complexity, and complex beauty, the end reminding me a bit of the end of sentenced‘s no one there. finally, hex omega launches, beginning heavy, though slow, turning more mellow, changing back to heavy, alternating. pure beauty, floating through the air, crawling down my ears.
i hate making such statements, but for me, this is the best release for this year. definitely. even though the year’s just half gone. watershed is simply ingenious, such a beautiful mix of death metal brutality, progressive rock; this is audible aesthetics. so damn beautiful.

today i visited the rock sound festival in huttwil, switzerland. just for one day though, with one specific aim: to see the second band, opeth. before opeth, black tide played, which was ok. after opeth, the headliner for this evening played, namely avantasia was playing, from which we basically just saw the beginning of the first song they played, when we decided to leave (so guess how much we liked it).
ok. having seen opeth just recently, i was in particular curious on what they would play this time. unfortunately, the set list was pretty similar to the last one: they started with demon of the fall, continued with master’s apprentice, then with baying of the hounds, then to rid the disease, wreath, heir apparent and the drappery falls. and again, the sound quality and in particular the mixing was pretty suboptimal. but, an important difference was the denseness of people. the hall in which the concerts took place was filled, but with enough gaps to be able to breathe without problems (and not even being touched most of the time). and, there was no mosh pit. so one could stand in peace, enjoy the music, and throw some hair around without having to fear to be stomped to death or getting injured otherwise.
though there was another bad thing. namely, the infantile behaviour of some people in the audience, most notably by whistling loudly (which is really nice if people do that next to your ear, big fuck you‘s to them) or start clapping rythmically to certain parts of the music (hey, is this musikantenstadl?!)… well, shame on you, guys.
anyway. this trip was definitely worth it. opeth rocked the house again, and even though i already heard that set list, i still enjoyed it a lot. probably in particular also because of the way nicer atmosphere. and, mikael promised that opeth will come back in the end of this year! :-) and, last not but least, i had really nice companions. not being alone at concerts rocks!

this evening i experienced another concert, an instance of the progressive nation 2008 tour, featuring four bands all doing different kind of prog.
the opener was 3, a woodstock based prog/experimental rock band. they are really fantastic, and i have to get one of their albums—the ones at the concert were already sold out when i tried to get one. besides playing great music, they also had a great life performance. there were two bad things though, even though the band has nothing to do with them: first, lots of people decided its fun to smoke weed. i don’t care what people do to themself, but it’s pretty annoying to smell that all over the place without having the chance to go somewhere else. the second, way worse thing, was that some people decided to start a mosh pit. again, anyone might feel to do what he wants, but i hate it to get kicked and pushed around all the time without asking for it. in particular, a mosh pit might fit well to a metalcore band, but to a prog band?! geez…
well. the second band, between the buried and me, was a metalcore band—a prog metalcore band. i’ve never been a fan of metalcore, and this gig didn’t made that better. obviously, the situation in the front didn’t got any better, the mosh pit simply got larger…
then, after surviving this one, the main part of the evening began: opeth entered the stage. unfortunately, at the beginning, the accustics weren’t too great; for example, the keyboard was pretty quiet and sometimes hardly audible—even at parts where it basically was the only instrument playing. fortunately, this changed later. since the whole tour already played in calgary yesterday, they had a slightly different playlist today. yesterday, it apparently was master’s apprentice / baying of the hounds / in my time of need / wreath / heir apparent / the drapery falls. today, they apparently started with demon of the fall—which was a bit hard to grab, as the keys were too quiet and a certain mosh pit pretty annoying (though that got better later, maybe the kids got tired?). after that, they played baying of the hounds or beneath the mire—have to listen to them again, i think. the third song was to rid the disease, my favorite song from the proggy damnation album. after that, they played heir apparent—something from the new album, which really rocked, i’m really looking forward for it—and the drappery falls. then, mikael noticed that he screwed up the set list, i.e. that they had enough time to play one more song. they decided to play wreath from the deliverance album, which i’m really really happy about: so far, i’ve never heard that song life, and i really like it a lot. unfortunately, as it’s a really heavy song, it again got pretty uncomfortable in the front. i still managed to throw my hair around, in particular at the end of the song. then, it was over.
after that, i decided to buy something to drink; it was some banana smoothie. somehow it looks like my stomach didn’t like the idea too much, so i wasn’t feeling too good afterwards, as dream theater began to play. shortly after they began, i decided to sit down at the back of the hall. besides not feeling too good, the concert was nice. they started off with in the presence of enemies and also played a lot older stuff, for example from the scenes from a memory album, one of my favorites. after their first part, a funny video showing some super mario sequences with dream theater references put in was shown, with both dream theater music in gameboy style and real music. the encore began with some improvisation, first by jordan rudess on some cute electronic device, then accompanied by john petrucci, and later by the other band members, which turned into a pretty cool medley.
too bad it’s over.
if there wouldn’t have been some annoying people around, and if maybe between the buried and me wouldn’t have played and 3 and opeth played much longer, it would be definitely the best concert this year. it still is a very good one, but as it was it has tight competition, for example the symphony x show in hamburg. but then, in particular 3 rocked the house, and i have to take a closer look on them. the new opeth album also sounds very promising, at least the two songs i’ve heard so far: heir apparent today and the porcelain heart video. and, i just saw, roadrunner offers the lotus eater for download. have to check that out, too…

opeth‘s fifth masterpiece blackwater park contains a gorgeous song called bleak. dark poetry painting pictures of betrayal, of frustration, of anger. luring me into deep thoughts, making me float in sadness. at the same time, making me adoring the music, the interplay between mellow and heavy parts, interwoven into a complex composition. carrying me into it’s world. making me addicted to it.
having listened to it so often, it still touches me, hits me, drags me away, as it did the first time i listened to it. you may want to take a look at a beautiful picture created by rose of sharyn, which captures well some of the emotions i feel when listening to this song.

while searching for bands making similar music to the israli progdeath band orphaned land, i recently stumbled across another isreali band named distorted. i would describe their style as very progressive melodic oriental death metal, featuring a female clean voice besides the usual (male) death voice.
when i first stumbled about their homepage and started reading their member profiles, i was stunned: many of them are inspired by and listen to music which i like a lot:

• guy, their bass player, lists for example orphaned land, opeth and porcupine tree as his influences, and his top album of all time is orphaned land’s mabool;
• benny, their guitar player, mentions nevermore as one of his musical influences, and also lists mabool as his top album of all time;
• miri, their (clean voice) singer, lists the gathering, nevermore and opeth in her musical influence list, and mentions nevermore’s ingenious dead heart in a dead world, opeth’s deliverence, the gathering’s mandolyion and nevermore’s dreaming neon black as her top albums of all time;
• raffy, their (death voice) singer and guitarist, names tool, nevermore and opeth as his influences and lists tool’s aenima, nevermore’s enemies of reality and opeth’s deliverance as his top albums of all time.

well, this is a > 100 % increase of people i know who like pretty much the same music than me :-)
after seeing this and listening to one of their tracks (redemption) from their debut album (memorial) which they put online, i decided that i have to order their album. and so i did. it took some time until it arrived, but then, listening to it at a whole, i was pretty much blown away. it is simply great! it combines the oriental influences form orphaned land with the progressive death metal from opeth, adding a female voice (i know some of you will be sceptical about the latter, but i’d say it fits well and i don’t want to miss it). for me, this is one of the best albums (or maybe even, the best?) i’ve heard this year.