after some silence, bad religion released another album this year, called the dissent of man. the fifteenth in their thirtyone years long career. and a good one, i think.
here’s one rather catchy track:

i just got orphaned land‘s new album, the never ending way of orwarrior, after long years of waiting. it’s amazing! the first track, sapari, is really catchy. i’m pretty much addicted to it. i might write more about the album later, but for now, here’s the official video for sapari:

edit: apparently, century media requested to delete that video and replaced it by another version of the same thing, with a more “hip” title. great. whatever. here’s the new version:

for some reason, they screwed it up that a lot of hyphens appear in the title… whatever…

in my post on wikipedia, i was complaining that the article about the chilenian doom metal band mar de grises has been deleted because it the band is “irrelevant”. hence, i thought it would be a good idea to write a bit about them. when writing the post on wikipedia, i re-started listening to them more intensely, and in fact have been listening to their two albums the tatterdemalion express and draining the waterheart pretty intensively over the last weeks.
their music is a beautiful mixture of dark, gloomy metal, intense doom, beautiful melancholic melodies. progressive elements, sometimes experimental elements, often slow, always dark. it is complex, never boring.
mar de grises is one of the bands you should keep an eye on, as they are rising and they are good.

the third piece of art i bought is the grimalkin by the german prog/doom project noekk. the cover depicts a beautiful black and white image of an old, wooden house with a window and lots of green in front of it, which made me wanting to listen to it. the album begins very interesting, with a small foreplay which sounds both strange, somehow, and, at the same time, makes the prog interested hearer curious on how this thing continues. the music evolves into a stream of various styles interwoven to a beauty, taking you by your hand, pulling you into a colorful world of fantasy. featuring three tracks, of eleven, ten and twenty minutes, this album sounds like a real gem of beautiful prog, which is not only a beautyful soundscape, but also tells stories, of beautiful dream worlds, having dark, gloomy parts, secrets.

another beauty i found while browsing around in the record store is apokatastasia‘s demo waiting four. apokatastasia is a swiss progressive/experimental metal band, featuring besides classical instruments like guitars, bass, drums also violoncellos and e-cellos. the demo features thirty minutes of a gloomy trip through a mystic world. beginning with a drone, turning into the sound of someone running, maybe fleeing. the music is intense, progressive, dark. the (violon)cello is perfectly integrated into the music, sounding almost like its perfectly normal to have cellos playing. equipped with screams, choirs, and sound effects like steps, breathing, the music turns into a thirty minutes long stream of horror, gloom, darkness, reminding me of the blair witch project. in particular in the running scenes at the beginning and at the end, i can almost see the scenes with my inner eye, like taken with a shaky handheld camera. makes me feel the fear.
i hope i’ll get hold of the band’s first album, shedding, somewhen near in the future.

while browsing around in my favorite music store in town some time ago, i stumbled across several very good albums. one of them, about whom i want to write today, is ashes against the grain by the american folk/black/doom metal band agalloch.
a stream of dark, intense music. full of beautiful, sad melodies. doomy. somehow, catchy, too. creating mental images.
the first track, limbs, is a very good example for this. i feel beauty and despair, going hand in hand.
also a very beautiful song is this mountain on which you will die, with eyes closed, i feel like through a foggy, snow-white landscape in the mountains. a gloomy atmosphere is building up. staying, while the music fades out…
another beauty is not unlike the waves, beginning with the sound of waves. powerful; full of energy, pushing forward, almost no rest. clean vocals mixing with screaming. beautiful.
the album ends with the three-parter our fortress is burning…. the first part is more quiet, slow. at the end, distorted guitars are lightening up in the background, like flames starting to lick, trying to spread. in part two, they gain more intense, spreading over the fortress, while in the more drony part three, they eat up everything. destruction. death. the end has begun.

three years after releasing ghost reveries, opeth released their 9th observation, called watershed.
it is opened by the beautiful, instrumental coil, sung by mikael akerfeld and nathalie lorichs. this is followed by the intense, heavy tune heir apparent, which i already have been able to listen to live two times. after that, the lotus eater follows, another heavy track with lots of proggy interludes which was already available for download some time ago. track #4 is burden, a melodious, more mellow, proggy track, the first half of it being sung by mikael, the second part being instrumental, with an accoustic guitar finally shifting downwards, until an abrupt strange ending. then, porcelain heart, which was already released as a video before, starts. again, alternativing between loud and quiet, beauty and wildness. after that, hessian peel, starting mellow, beautiful. then, after a small piano solo phase, the brutality returns, in its beautiful complexity, and complex beauty, the end reminding me a bit of the end of sentenced‘s no one there. finally, hex omega launches, beginning heavy, though slow, turning more mellow, changing back to heavy, alternating. pure beauty, floating through the air, crawling down my ears.
i hate making such statements, but for me, this is the best release for this year. definitely. even though the year’s just half gone. watershed is simply ingenious, such a beautiful mix of death metal brutality, progressive rock; this is audible aesthetics. so damn beautiful.

recently, moonsorrow released an ep called tulimyrsky, featuring a 30 minute song called tulimyrsky, a metallica cover (for whom the bell tolls), two old demos (taistelu pohjolasta and hvergelmir) and a merciless cover (back to north). the main track tulimyrsky can be seen as a sequel to last year’s viides luku: hävitetty. again, it begins with a slow, melodious, mystic atmospheric part, lasting 3:45 minutes, until a scream fades in from far away, guitars and drums kicking in, finally launching a black metal thunderstorm after five minutes, evolving into a stream of brutality, speed, piercing melodies. then, later, the music gets slower, less brutal, still intense. a speaker telling a tale. then, the action returns, sounding heroic, somehow, until it fades out into a beautiful, orchestral and melodic piece of music. beautiful.
the two demos feature pretty black metallic sounds, still very good though. moonsorrow is really one of the bands which started as a success and continued to be a success over the years. finally, the two covers are pretty ok, too. and, tulimyrsky is the longest ep i ever saw, having 68 minutes of playing time, from which 30 minutes are the main song, tulimyrsky. again, probably one of the best releases this year.

after five (long) years of silence, tiamat released a new album, amanethes. when i listened to a few samples around one month ago, i didn’t like it too much. i still bought it (hey, it’s a tiamat album!) and, after listening to it a few times, the ice melted, turned into fire. this album is amazing. heavy, dark, gothic. probably one of the best releases this year.

yesterday i stumbled about the gathering‘s latest live dvd, a noise severe, recorded in march 2007 in chile. a few months later, their singer, anneke van giersbergen, quit the band. (which, in my opinion, is the end of the band; if they will continue, they will be something very different…)
the dvd contains a lot of songs from their older albums, like the “debut” mandylion (their first album with anneke and, in my opionion, their best one), nighttime birds, how to measure a planet? (which i don’t like too much) and if_then_else. the first two can be more categorized as atmospheric doom with progmetal and gothic influences, while how to measure a planet? drifts off into a very experimental alternative rock/prog direction; the last, if_then_else, is more into a trip rock.
well, so much about the facts.
i’ve already mentioned several times that mandylion is really good. and i’ll do it again. it’s one of the few albums (next to sentenced‘s frozen) where i like every track, to which i can listen for hours, again and again. so filled with energy, groove, raw power, emotions. so beautiful. (my favorite song is probably leaves, whose music video you can watch here.)
well, mandylion is their best album, i’d say, but they also have other good ones. one which i don’t really know—shame on me!—is nighttime birds, mandylion‘s successor, which seems to be very good, too. and there’s if_then_else, which has several really good tracks, like the melancholic saturnine or a beautiful instrumental called beautiful war.
somehow it’s really a pity that i never managed to see them.

“the day you went away
you had to screw me over
i guess you didn’t know
all the stuff you left me with
is way too much to handle
but i guess you don’t care”

from saturnine by the gathering.