yesterday i stumbled about the gathering‘s latest live dvd, a noise severe, recorded in march 2007 in chile. a few months later, their singer, anneke van giersbergen, quit the band. (which, in my opinion, is the end of the band; if they will continue, they will be something very different…)
the dvd contains a lot of songs from their older albums, like the “debut” mandylion (their first album with anneke and, in my opionion, their best one), nighttime birds, how to measure a planet? (which i don’t like too much) and if_then_else. the first two can be more categorized as atmospheric doom with progmetal and gothic influences, while how to measure a planet? drifts off into a very experimental alternative rock/prog direction; the last, if_then_else, is more into a trip rock.
well, so much about the facts.
i’ve already mentioned several times that mandylion is really good. and i’ll do it again. it’s one of the few albums (next to sentenced‘s frozen) where i like every track, to which i can listen for hours, again and again. so filled with energy, groove, raw power, emotions. so beautiful. (my favorite song is probably leaves, whose music video you can watch here.)
well, mandylion is their best album, i’d say, but they also have other good ones. one which i don’t really know—shame on me!—is nighttime birds, mandylion‘s successor, which seems to be very good, too. and there’s if_then_else, which has several really good tracks, like the melancholic saturnine or a beautiful instrumental called beautiful war.
somehow it’s really a pity that i never managed to see them.

“the day you went away
you had to screw me over
i guess you didn’t know
all the stuff you left me with
is way too much to handle
but i guess you don’t care”

from saturnine by the gathering.

just listened to ayreon‘s latest prog metal opera 01011001 (binary ascii representation of the letter y). it features, next to fifteen other singers, ex-the gathering singer anneke van giersbergen and katatonia‘s jonas renkse and also features, besides some other solos, a synth solo by keyboard virtuose derek sherinian, who also played with dream theater for a few years. featuring a story on loss of emotions and rediscovering, on messing with peoples destiny, of attempts to help which make everything worse, which lead to ultimate destruction. it’s a great story, with great music, and great vocalists. what else do you want?

“face the facts, there is no way back
arise, it’s time to act
face the facts, our future is black
arise, we’re on the wrong track”

from beneath the waves by ayreon.

i can’t stop listening to ascension, a song on the isa (ᛁ) album by enslaved. pink floyd style prog fusing with black metal, creating an intense, beautiful, somehow strange but yet so neat stream, switching between mellow, dreamlike sequences and brutal riffs.

“never in need of sleep,
nor in need of truth
i would never have stayed in this darkness,
and we would ascend”

from ascension by enslaved.

right now i’m listening to mandylion by the gathering, their first album with the great dutch vocalist anneke van giersbergen. (if you’re interested, take a look at her new solo project agua de annique. if i recall correctly it’s not metal, so worth listening to for everyone reading here.)
this is one of the first metal albums i bought, after hearing the song leaves too many times on some sampler (called dark winter nights; that one also introduced me to rage and samael). it’s a really great, emotional song, touching me deep inside. probably the first song qualifying to be called gothic rock/metal which i loved listening to. a few lines from the song:

“now that you’re gone i don’t know
how to really feel inside
baring the hope to see you again
i guess i never will”

i’ll stop typing know, in favor of catching some sleep… closing with a tbl quote: thank you & good night!

i first met swallow the sun on their concert in the z-7 in april, as a co-headliner of moonsorrow. lately, i’ve again started listening to their album hope, which i bought directly after the concert, and decided to get more, namely first their second album ghosts of loss and, finally, their debut, the morning never came. their music is dark, really dark. full of beauty, of intensity, of gloom, of melancholy. so intriguing, gripping me, making me longing for more. slow moments alternating with blasting, heavy moments. clear voice alternating with death voice, giving another example where death voice fits perfectly, increasing the intenseness of the music. as the line “insane pain” in the giant—one of my favorite songs—which, if presented in clear voice, would not making me shiver that much, would not paint the pictures in my head in such intense, vivid colors. a few lines from that song:

“i’ve been hiding this giant for too long
and it’s grown like a parasite inside me
under this shadow i’ve been walking
now it’s taken over me, and she…
the pure girl, leave me before it’s too late
or i will cut your wings”

another favorite of mine, gloom, beauty and despair, another song from the great ghosts of loss album (containing several twin peaks references), is not using clear vocals after all. the first three minutes, the music being slow, melodic, melancholic, the lyrics, telling the story of someone mourning the loss of his loved one, being barely understandable, as it’s screamed and whispered at the same time, making me feel the desperation, the anger, the mourning. simply beautiful. then, piano hits in, picking up the theme from the beginning, until the guitars and the death growls take over, the music still being slow, melancholic, but heavier, more desperate, making me feeling with the narrator.
i’m really looking forward to see them again.

a piece of poetry which i really like is p. b. shelley’s sonnet ozymandias:

“i met a traveller from an antique land
who said: two vast and trunkless legs of stone
stand in the desert. near them on the sand,
half sunk, a shatter’d visage lies, whose frown
and wrinkled lip and sneer of cold command
tell that its sculptor well those passions read
which yet survive, stamp’d on these lifeless things,
the hand that mock’d them and the heart that fed.
and on the pedestal these words appear:
“my name is ozymandias, king of kings:
look on my works, ye mighty, and despair!”
nothing beside remains: round the decay
of that colossal wreck, boundless and bare,
the lone and level sands stretch far away.”

percy bysshe shelley, 1818

i first got in touch with this poem when i was listening to the black league‘s album ichor, which contains the poem in form of a song. a very beautiful one which, in my opinion, makes the poem even more affecting, powerful, than it is already in text form. after some oriental tones, the first nine lines of the poem are read out by taneli jarva‘s baritone voice. then, for the two lines quoting the inscription, the music gets hard and heavy, whilst the two lines are screamed. (i’d say that this is one of the best examples where screaming as a singing style fits perfectly.) after that, the music returns to the slow, oriental sounding style from the beginning, and the rest of the poem is spoken. then, music slowly turning to an end, the two lines of the inscription are whispered in the background over and over.

my first contact with moonsorrow was on the 9th of april this year, when they were playing at the z-7 in pratteln. i didn’t knew them before, but i was told that i might like them. well. i did. after the concert, i decided i had to buy one of their albums, namely viides luku: hävitetty, which is finnish and means chapter five: ravaged, being their fifth album, and i immediately listened to it when i came home after the concert. less than two weeks later i also had the rest of their albums lying on my desk.
simlarly to finntroll’s visor om slutet, v: hävitetty is a very special album. consisting of just two tracks, each having around 30 minutes of music, it builds up an intense atmosphere throwing you back into the old times, when vikings were sailing the northern seas. in contrast to visor om slutet, most of this album is heavy, very heavy, transporting a completely different mood. the first six minutes of the first track can be seen as a separate song, called jäästä syntynyt (born of ice), a very atmospheric, slow, dreamy piece, featuring a short poem:

“auringon kuoleman syntyäkseen
uusi maailma tarvitsee
vain pisaran vettä kylmyyteen
käsillä juoksemaan ihmisten”

which translates to:

“through the death of the sun
a new world is born
a drop of water in cold
to run on the hands of man”

other bands would let this be a whole song.
after this, a twenty-five minutes long heavy sound scape named varjojen virta (stream of shadows) breaks loose on the listener, never being boring, recurring motifs varied, always melodic, sometimes a bit slower, mostly fast, screaming. closing my eyes, i can see vast landscapes and seascapes, raging storms, ships fighting the rough sea, endless forests, fog, darkness, bleak lives, people dying, battles raging. the music makes me want to move, it’s so intense, so beautiful, intoxicating. the lyrics are in finnish, with an english translation being provided in the booklet, allowing to enrich the experience, putting more emotions and emphasis into the music. they transport dreary feelings, are depressing, make me shiver. beautiful, in some sense, sorrowful, in another.
the second song on this album, tuleen ajettu maa, which means a land driven into the fire, begins with shaman chants, quickly progressing to heavy riffs, screams. similarly to varjojen virta, this sound scape is intense, dense, heavy, varying between more silent, folkish parts, many heavy parts, black metal thunderstorms, forming a fascinating masterpiece.
this one feels similarly depressing, bleak, even more aggressive. i can see boats floating, shaking on rough water, the sea trying to swallow the boats, i can see battles, fights, man against man, dying and dead people, the distinction between victor and loser being that one is dead, whereas the other is dying. skimming through the lyrics, i read as the last verse:

“näin kaikki päättyy, näen sen nyt
tämä sivu on viimeinen
näin kaikki päättyy, tyhjään ja unohdukseen
eikä kukaan tänne palaa”

translating to:

“this is how it ends, i can see it now
this page will be the last
this is how it ends, to emptiness, to oblivion
and none will ever return”

this is what the music makes me feel. makes me see, makes me think about, when i listen to it.