a few days ago, the finnish prog-metal project crimson lotus released a new single, called miseria. it’s awesome. it’s really too bad that they’re too busy to produce more stuff…

being late. getting there, still in time. being able to stand in the very front. meeting some guys who i met on anathema‘s last concert. listening to anathema. rocking. having a great time. break, after 45 minutes. looking out for other guys who announced themselves for the concert, not seeing anyone. porcupine tree coming up. having another good time. for around two hours. then, silence, again. crowd flowing to the outside. checking out the merchandize. buying an anathema cd, getting it signed by the band, talking to the band. queueing up to fetch my jacket. meeting another mathematician i didn’t expected to see. seeing in the distance another one whom i knew to be there. leaving, alone. taking the tram. happening to see a friend in his kitchen from the tram window. buying some pizza. writing this crap. feeling good.
thanks for everyone who helped making this evening so great. i appreciate that a lot.

i haven’t felt so young on a metal concert for a pretty long time now, as on today’s dream theater show in winterthur. on the outside, i really felt dressed strangely, as the number of metal t-shirts was pretty small and most people looked pretty normal. inside, the situation looked a bit different, probably the metalheads were a bit earlier :-)
another pretty strange thing was that the wardrobe was located 100 m outside from the entrance. that means, you have to give away your jacket, queue up in the line for the entrance and stay there, freezing, just wearing a t-shirt. but at least it was not raining…
well. besides all these strange things, and also besides the insane pricing of the tickets, the concert was great. even though symphony x had just around 40 minutes to play. at least, the break for cleaning up the stange was pretty short (around 20 minutes), so one had no chance to fall asleep in between… (i remember some breaks which came near to one hour…) the stage was decorated with giant ant puppets, although i couldn’t see them, too many heads in my way… another gimmick was a traffic light hanging above the stage, which showed red, then turned to yellow when the intro music started, and changed to green when the band began to play.
well. dream theater played for almost two hours and, as usual, produced a really good show. they played a lot from their current album, systematic chaos, some other songs and, as an encore, a long medley, going through different epoches of dream theater.

right now i’m listening to mandylion by the gathering, their first album with the great dutch vocalist anneke van giersbergen. (if you’re interested, take a look at her new solo project agua de annique. if i recall correctly it’s not metal, so worth listening to for everyone reading here.)
this is one of the first metal albums i bought, after hearing the song leaves too many times on some sampler (called dark winter nights; that one also introduced me to rage and samael). it’s a really great, emotional song, touching me deep inside. probably the first song qualifying to be called gothic rock/metal which i loved listening to. a few lines from the song:

“now that you’re gone i don’t know
how to really feel inside
baring the hope to see you again
i guess i never will”

i’ll stop typing know, in favor of catching some sleep… closing with a tbl quote: thank you & good night!

opeth‘s fifth masterpiece blackwater park contains a gorgeous song called bleak. dark poetry painting pictures of betrayal, of frustration, of anger. luring me into deep thoughts, making me float in sadness. at the same time, making me adoring the music, the interplay between mellow and heavy parts, interwoven into a complex composition. carrying me into it’s world. making me addicted to it.
having listened to it so often, it still touches me, hits me, drags me away, as it did the first time i listened to it. you may want to take a look at a beautiful picture created by rose of sharyn, which captures well some of the emotions i feel when listening to this song.

well, last night was the first concert in my current schedule: serentiy, machine men, communic and threshold were playing in the z-7 in pratteln. i really enjoyed it. first, serenity, an austrian power prog band was playing. i’ve already seen them at the end of march, playing before sacred steel and morgana lefay, and i still don’t like them too much. it’s not about their technical skills or whatever, i just can’t really stand this symphonic power metal in some cases, and this is one of these cases. and their singer should pose a bit less… ;-) after serenity, a finnish melodic metal act called machine men started to rock off. them, i really enjoyed, and later i even bought one of their albums, circus of fools. after them, the norwegian band communic started playing. i’ve never seen them or heard music from them before and was pretty curious as i read some good things about them. they’re making prog metal and are quite influenced by nevermore, a band i really like. consisting of only three musicians, which is very seldom the case for prog related bands, playing guitars+vocals, bass and drums, they still managed to produce a very intense, beautiful stream of music. if the concert would have endet after them, i would have been perfectly happy (except that they should have played longer in that case). but then, it didn’t. well. they seemed to be very happy with us, their audience, too: after their gig, besides giving us sticks and plectrums, and tor atle, their drummer, even took of one of his cymbals and threw it into the crowd. i’ve never seen that before. unfortunately, it landed somewhere else, so no chance of grabbing it… afterwards i bought their album waves of visual decay, and the stage was prepared for the british prog metal act threshold. threshold seemed to enjoy playing for us, and we enjoyed listening to them, moving to the music, marvelling at their solos, their playing skills. it was simply fantastic. but then, everything’s ending, and after an encore with two very nice songs, i had to leave to catch the last train. curiously, i again met a couple on the way back which i already met after arena’s concert at the end of may; back then, they recommended me to try out ayreon, a project by arjen lucassen which produces fantastic prog operas. again, thanks a lot for this hint, i really like these operas. well, maybe i’ll write something on them later.

my first contact with moonsorrow was on the 9th of april this year, when they were playing at the z-7 in pratteln. i didn’t knew them before, but i was told that i might like them. well. i did. after the concert, i decided i had to buy one of their albums, namely viides luku: hävitetty, which is finnish and means chapter five: ravaged, being their fifth album, and i immediately listened to it when i came home after the concert. less than two weeks later i also had the rest of their albums lying on my desk.
simlarly to finntroll’s visor om slutet, v: hävitetty is a very special album. consisting of just two tracks, each having around 30 minutes of music, it builds up an intense atmosphere throwing you back into the old times, when vikings were sailing the northern seas. in contrast to visor om slutet, most of this album is heavy, very heavy, transporting a completely different mood. the first six minutes of the first track can be seen as a separate song, called jäästä syntynyt (born of ice), a very atmospheric, slow, dreamy piece, featuring a short poem:

“auringon kuoleman syntyäkseen
uusi maailma tarvitsee
vain pisaran vettä kylmyyteen
käsillä juoksemaan ihmisten”

which translates to:

“through the death of the sun
a new world is born
a drop of water in cold
to run on the hands of man”

other bands would let this be a whole song.
after this, a twenty-five minutes long heavy sound scape named varjojen virta (stream of shadows) breaks loose on the listener, never being boring, recurring motifs varied, always melodic, sometimes a bit slower, mostly fast, screaming. closing my eyes, i can see vast landscapes and seascapes, raging storms, ships fighting the rough sea, endless forests, fog, darkness, bleak lives, people dying, battles raging. the music makes me want to move, it’s so intense, so beautiful, intoxicating. the lyrics are in finnish, with an english translation being provided in the booklet, allowing to enrich the experience, putting more emotions and emphasis into the music. they transport dreary feelings, are depressing, make me shiver. beautiful, in some sense, sorrowful, in another.
the second song on this album, tuleen ajettu maa, which means a land driven into the fire, begins with shaman chants, quickly progressing to heavy riffs, screams. similarly to varjojen virta, this sound scape is intense, dense, heavy, varying between more silent, folkish parts, many heavy parts, black metal thunderstorms, forming a fascinating masterpiece.
this one feels similarly depressing, bleak, even more aggressive. i can see boats floating, shaking on rough water, the sea trying to swallow the boats, i can see battles, fights, man against man, dying and dead people, the distinction between victor and loser being that one is dead, whereas the other is dying. skimming through the lyrics, i read as the last verse:

“näin kaikki päättyy, näen sen nyt
tämä sivu on viimeinen
näin kaikki päättyy, tyhjään ja unohdukseen
eikä kukaan tänne palaa”

translating to:

“this is how it ends, i can see it now
this page will be the last
this is how it ends, to emptiness, to oblivion
and none will ever return”

this is what the music makes me feel. makes me see, makes me think about, when i listen to it.

while searching for bands making similar music to the israli progdeath band orphaned land, i recently stumbled across another isreali band named distorted. i would describe their style as very progressive melodic oriental death metal, featuring a female clean voice besides the usual (male) death voice.
when i first stumbled about their homepage and started reading their member profiles, i was stunned: many of them are inspired by and listen to music which i like a lot:

• guy, their bass player, lists for example orphaned land, opeth and porcupine tree as his influences, and his top album of all time is orphaned land’s mabool;
• benny, their guitar player, mentions nevermore as one of his musical influences, and also lists mabool as his top album of all time;
• miri, their (clean voice) singer, lists the gathering, nevermore and opeth in her musical influence list, and mentions nevermore’s ingenious dead heart in a dead world, opeth’s deliverence, the gathering’s mandolyion and nevermore’s dreaming neon black as her top albums of all time;
• raffy, their (death voice) singer and guitarist, names tool, nevermore and opeth as his influences and lists tool’s aenima, nevermore’s enemies of reality and opeth’s deliverance as his top albums of all time.

well, this is a > 100 % increase of people i know who like pretty much the same music than me :-)
after seeing this and listening to one of their tracks (redemption) from their debut album (memorial) which they put online, i decided that i have to order their album. and so i did. it took some time until it arrived, but then, listening to it at a whole, i was pretty much blown away. it is simply great! it combines the oriental influences form orphaned land with the progressive death metal from opeth, adding a female voice (i know some of you will be sceptical about the latter, but i’d say it fits well and i don’t want to miss it). for me, this is one of the best albums (or maybe even, the best?) i’ve heard this year.

here’s a list of concerts i’ve been at this year, for historical reasons. not taking in account some classic concerts.

• 07.02.2007: therion, grave digger and sabaton were playing at the z-7 in pratteln (symphonic orchestral metal, and some more thrashy/whatever metal);
• 21.02.2007: amplifier and cloudride were playing at abart in zürich (progressive art rock);
• 24.02.2007: blackfield and pure reason revolution were playing at the z-7 in pratteln (progressive rock, art rock);
• 04.03.2007: …and you will know us by the trail of dead and forget cassettes were playing at the rote fabrik in zürich (alternative rock);
• 29.03.2007: morgana lefay, sacred steel, serenity and bitterness were playing at rock city in uster (various kinds of metal: death, prog, power, true, …);
• 09.04.2007: moonsorrow, swallow the sun and some band whose name i forgot played at the z-7 in pratteln (pagan metal, doom metal, death metal);
• 10.04.2007: circle ii circle, savage circus, tomorrow’s eve and tempesta were playing at the z-7 in pratteln (metal);
• 13.04.2007: moonspell, napalm death, behemoth, gojira and dew scented were playing at the z-7 in pratteln (death and black metal, metalcore);
• 16.05.2007: spock’s beard was playing at the z-7 in pratteln (progressive rock);
• 27.05.2007: trivium, annihilator and some band which was playing before the official opening time were playing at the rohstofflager in zürich (thrash metal);
• 29.05.2007: arena was playing at the z-7 in pratteln (progressive rock);
• 31.05.2007: anathema and moondawn were playing at the z-7 in pratteln (atmospheric rock with metal influences);
• 01.06.2007: machine head, type o negative, cataract and zatokrev were playing at the volkshaus in zürich (thrash metal, doom metal, metalcore and death metal);
• 27.06.2007: dream theater and megadeth were playing at the volkshaus in zürich (progressive metal, thrash metal).

if i’ll find the motivation (and if anyone cares), i might write a few words about some of these.

here’s a list of concerts i plan to attend during the last four months of this year. if i put a link to a bands’ homepage, this means i’m going to that concert to see this band (and as a side effect, also the non-linked ones).

• 13.09.2007: threshold, communic, machine men and serenity are playing in the z-7 in pratteln (progressive metal);
• 22.09.2007: fjoergyn, wolfchant, nastrandir und nuclear winter are playing in the dynamo in zurich (symphonic black/pagan/viking/death metal);
• 27.10.2007: moonsorrow, korpiklaani, excelsis and battlelore are playing at the viking/pagan festival in the stadthalle dietikon (folk/pagan metal);
• 31.10.2007: dream theater and symphony x are playing in the eulachhallen in winterthur (progressive metal);
• 09.11.2007: apocalyptica (with special guest not announced yet) is playing in the volkshaus in zürich (violin metal);
• 12.11.2007: porcupine tree and anathema are playing in the volkshaus in zürich (prog, atmospheric rock with metal influences);
• 16.11.2007: orchester accento musicale zürich is playing in the st. peter in zürich (classic);
• 17.11.2007: boob is playing in the helsinki klub in zürich (alternative/punk rock);
• 18.11.2007: amorphis, swallow the sun and insomnium are playing in the z-7 in pratteln (prog metal, doom metal);
• 27.11.2007: fish is playing in the z-7 in pratteln (progressive rock);
• 29.11.2007: halloween, gamma ray and axxis are playing in the stadthalle dietikon (power metal); (skipping that one because of lack of time)
• 05.12.2007: die ärzte are playing in the hallenstadion in oerlikon/zürich (fun punk);
• 14.12.2007: ensiferum, turisas and insania are playing in the z-7 in pratteln (viking metal).

unfortunately, i will miss finntroll playing in the z-7 on 05.12.2007…