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posts about the 3rd and the mortal.

the sixth video is why so lonely by the 3rd and the mortal, from the very beautiful album tears laid in earth. it’s their only full album featuring kari rueslåtten as a singer. unfortunately, this is not a video, just a song. but a very nice one! the lyrics can be found here.

this is very slow gothic rock (metal?). i think you can listen to it.

[[for legal reasons, i do not want to include youtube videos here anymore. please click on this link to watch the video at youtube.]]

i like it because… of kari’s great singing. well, i could have taken almost any other song from that album as well, it’s just such a great album. i listened to it in zürich’s knochenhaus, which unfortunately ceased to exist (the only good record store i know for metal and similar music – and the only store i found so far which had all albums of kari rueslåtten, which, except of tears laid in earth and a controversial storm release, have absolutely nothing to do with metal) and immediately decided to buy it, even after just hearing the first track (which is just sung, without any instruments) – i don’t know if i continued farther than the second track (why so lonely) or if i just decided to buy it and continue listening at home :)

here i want to write a bit about doom music, as a huge part of the music i listen to can be counted to this category. in general, it can be characterized as slow, heavy music with dark lyrics, dealing with depression, death, despair, gloom, dying, doomed/unhappy love, and despair. it appears in various shapes, blended with many different genres, including death metal, ambient, noise, gothic music and jazz. even though non-metal doom music does exists, most of doom music is probably metal.
(note that i like all the bands i mention here quite alot, except probably the older stuff of celtic frost which, i have to admit, is mostly unknown to me.)

one of the more traditional doom metal bands is candlemass, with their 1986 album epicus doomicus metallicus being a major landmark in the doom metal genre. the album is opened by the song solitude (“please let me die in solitude”) which is, in my opinion, one of the best doom songs.

an important crossover doom genre is death/doom which is, surprise!, a crossover between death metal and doom music. usually a bit faster than other doom styles but still being way slower than usual death metal, it features death growls, sometimes mixed with clean vocals, and certain playing styles from death metal such as fast double bass kicking. two bands in this genre i like are swallow the sun—one of my most favorite bands; see here— and novembers doom. notably are also the older works of bands as anathema (see here), now playing atmospheric metal, the gathering (see here), now playing progressive/alternative/trip rock, and sentenced—another one of my most favorite bands; see here—, who later turned to more gothic doom or plain heavy metal, before disbanding 2005.

out of death/doom, another doom crossover called funeral doom developed, by slowing down the music, resulting in something which is as slow as a funeral march, hence hinting where its name comes from. besides the lack of speed, the music is even heavier, but also features more ambient like parts. two bands in this category are tyranny and unholy (see here).

related to funeral doom is drone doom, abstracting even more by reducing to a kind of minimalistic music, mainly consisting of a stream of drones, i.e. very long lasting notes, while often lacking traditional music structures like rythm or melody, with vocals often so distorted that they are barely understandable. the songs usually last very long, from something between ten and twenty minutes to sometimes filling a whole cd with one song. two important bands in this genre are sunn o))) and boris (see here).

another doom genre which is pretty detached from metal is doom jazz or noir jazz, a blend of doom music and jazz. the only example i know is bohren & der club of gore, a german band who started mixing jazz with hardcore and ambient, resulting in some kind of doom music. later, when their guitar player left, they replaced him by a saxophonist, turning the band completely into a jazz ensemble. their current style is a very dark kind of jazz, without vocals, somehow almost more ambient, somehow similar to funeral doom.

a lot of other more experimental acts exist, like early the 3rd and the mortal (see also here) stuff, which can be described as experimental/atmospheric doom, or the zürich based metal legend celtic frost, whose last album monotheist could be in parts counted as a certain kind of avantgarde/experimental doom.

another, more “standard” doom metal approach is gothic doom, a mixture of doom with gothic metal. my favorite in this area is type o negative, and in particular their most depressing album world coming down. some bands which i would also count into this category are tiamat, lake of tears and later sentenced. tiamat evolved more to gothic rock and had included also different influences besides gothic doom. sentenced began with death/doom, switching to more gothic doom and finally more to a kind of heavy/gothic metal. lake of tears, whose origin lay more in the death/doom origin, went through a change between several different genres; the albums which fit best as gothic doom are headstones, a crimson cosmos and forever autumn, all being somehow different to each other.

this will be the last best-of-list for this year. this time, i want to list the albums which influenced and intrigued me most during this year. this time, in chronological order.

  1. moonsorrow: viides luku: hävitetty.
  2. moonsorrow: verisäkeet.
  3. timo rautiainen & trio niskalaukaus: hartes land.
  4. finntroll: visor om slutet.
  5. distorted: memorial.
  6. orphaned land: mabool — the story of the three sons of seven.
  7. swallow the sun: ghosts of loss.
  8. bolt thrower: those once loyal.
  9. the 3rd and the mortal: tears laid in earth.
  10. rage: lingua mortis.
  11. kari rueslåtten: other people’s stories.
  12. primordial: to the nameless dead.

after making a best of concerts list for this year, i decided to make a best of albums list for all albums i have bought until now. i divided this up into several categories:

  • prog;
  • punk/punk rock;
  • trip hop, alt rock;
  • other non-metal;
  • metal: atmospheric;
  • metal: death/black;
  • metal: doom;
  • metal: extreme prog;
  • metal: folk/pagan/viking;
  • metal: gothic;
  • metal: power;
  • metal: prog;
  • metal: other.

note that this list reflects a snapshot of my current interest and remembrance of most of the albums. it could already be different in a few days. but feel free to comment or discuss this with me.

prog.

  1. porcupine tree: deadwing.
  2. pure reason revolution: the dark third.
  3. frost: milliontown.
  4. opeth: damnation.
  5. porcupine tree: the sky moves sideways.

punk/punk rock.

  1. die ärzte: die bestie in menschengestalt.
  2. wizo: uuaarrgh!.
  3. die toten hosen: kauf mich!.
  4. die ärzte: planet punk.
  5. die ärzte: 13.

trip hop, alt rock.

  1. kari rueslåtten: other people’s stories.
  2. radiohead: ok computer.
  3. portishead: portishead.

other non-metal.

  1. kari rueslåtten: spindelsinn.
  2. nine inch nails: the downward spiral.
  3. eläkeläiset: humppasirkus.
  4. bohren & der club of gore: black earth.

metal: atmospheric.

  1. the 3rd and the mortal: tears laid in earth.
  2. finntroll: visor om slutet.
  3. tool: 10 000 days.
  4. anathema: a natural disaster.

metal: death/black.

note that i took out the prog death/prog black (avantgarde) albums into its own category, called metal: extreme prog.

  1. bolt thrower: those once loyal.
  2. moonspell: the antidote.
  3. wintersun: wintersun.
  4. amorphis: elipse.
  5. childen of bodom: hatebreeder.

metal: doom.

i think this is the category where i could have made the longest list. there are many really good albums missing, for example down and love and death by sentenced, the other swallow the sun albums, sunn o))) and borisaltar, some candlemass albums, unholy‘s the second ring of power, and some more.

  1. sentenced: frozen
  2. swallow the sun: ghosts of loss.
  3. type o negative: world coming down.
  4. tiamat: prey.
  5. unholy: rapture.

metal: extreme prog.

this category is dominated by opeth; therefore, i decided to list the top seven instead of the top five.

  1. opeth: still life.
  2. orphaned land: mabool — the story of the three sons of seven.
  3. opeth: blackwater park.
  4. distorted: memorial.
  5. opeth: orchid.
  6. borknagar: epic.
  7. edge of sanity: crimson (part one).

metal: folk/pagan/viking.

  1. moonsorrow: viides luku: hävitetty.
  2. moonsorrow: verisäkeet.
  3. primordial: to the nameless dead.
  4. finntroll: jaktens tid.
  5. moonsorrow: voimasta ja kunniasta.

metal: gothic.

  1. lacuna coil: karma code.
  2. tristania: beyond the veil.
  3. lake of tears: a crimson cosmos.
  4. poisonblack: lust stained despair.

metal: power.

  1. nevermore: dead heart in a dead world.
  2. nevermore: dreaming neon black.
  3. symphony x: paradise lost.
  4. communic: waves of visual decay.
  5. nightwish: oceanborn.

metal: prog.

  1. dream theater: train of thought.
  2. the gathering: mandylion.
  3. ayreon: the human equation.
  4. dream theater: metropolis pt. 2 — scenes from a memory.
  5. dream theater: images and words.

metal: other.

  1. timo rautiainen & trio niskalaukaus: hartes land.
  2. rage: lingua mortis.
  3. samael: solar soul.
  4. annihilator: king of the kill.
  5. apocalyptica: cult.
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a very special, extraordinary band is the 3rd and the mortal, founded 1992 in norway. one of the first bands featuring a female lead singer, kari rueslåtten, they made a very atmospheric kind of doom metal, and later turned into more experimental stuff. unfortunately, kari left after the first two albums, the ep sorrow and the first full-length album tears laid in earth, which is considered to be the best album by the 3rd and the mortal.
it features eleven songs, ranging from only featuring kari’s voice, as the opener vandring, being somehow psychedelic, as shaman, being more heavy, as death-hymn, and instrumentals, as trial of past. the songs invite one to close the eyes, start dreaming. listening to kari’s enchanting voice carries me into a fantastic, gorgeous world. painted sometimes in dark, sometimes in hopeful colors, telling of love, death, sorrow. i’d say it’s one of the most beautiful albums i’ve ever listened to.