a piece of poetry which i really like is p. b. shelley’s sonnet ozymandias:

“i met a traveller from an antique land
who said: two vast and trunkless legs of stone
stand in the desert. near them on the sand,
half sunk, a shatter’d visage lies, whose frown
and wrinkled lip and sneer of cold command
tell that its sculptor well those passions read
which yet survive, stamp’d on these lifeless things,
the hand that mock’d them and the heart that fed.
and on the pedestal these words appear:
“my name is ozymandias, king of kings:
look on my works, ye mighty, and despair!”
nothing beside remains: round the decay
of that colossal wreck, boundless and bare,
the lone and level sands stretch far away.”

percy bysshe shelley, 1818

i first got in touch with this poem when i was listening to the black league‘s album ichor, which contains the poem in form of a song. a very beautiful one which, in my opinion, makes the poem even more affecting, powerful, than it is already in text form. after some oriental tones, the first nine lines of the poem are read out by taneli jarva‘s baritone voice. then, for the two lines quoting the inscription, the music gets hard and heavy, whilst the two lines are screamed. (i’d say that this is one of the best examples where screaming as a singing style fits perfectly.) after that, the music returns to the slow, oriental sounding style from the beginning, and the rest of the poem is spoken. then, music slowly turning to an end, the two lines of the inscription are whispered in the background over and over.

opeth‘s fifth masterpiece blackwater park contains a gorgeous song called bleak. dark poetry painting pictures of betrayal, of frustration, of anger. luring me into deep thoughts, making me float in sadness. at the same time, making me adoring the music, the interplay between mellow and heavy parts, interwoven into a complex composition. carrying me into it’s world. making me addicted to it.
having listened to it so often, it still touches me, hits me, drags me away, as it did the first time i listened to it. you may want to take a look at a beautiful picture created by rose of sharyn, which captures well some of the emotions i feel when listening to this song.

well, last night was the first concert in my current schedule: serentiy, machine men, communic and threshold were playing in the z-7 in pratteln. i really enjoyed it. first, serenity, an austrian power prog band was playing. i’ve already seen them at the end of march, playing before sacred steel and morgana lefay, and i still don’t like them too much. it’s not about their technical skills or whatever, i just can’t really stand this symphonic power metal in some cases, and this is one of these cases. and their singer should pose a bit less… ;-) after serenity, a finnish melodic metal act called machine men started to rock off. them, i really enjoyed, and later i even bought one of their albums, circus of fools. after them, the norwegian band communic started playing. i’ve never seen them or heard music from them before and was pretty curious as i read some good things about them. they’re making prog metal and are quite influenced by nevermore, a band i really like. consisting of only three musicians, which is very seldom the case for prog related bands, playing guitars+vocals, bass and drums, they still managed to produce a very intense, beautiful stream of music. if the concert would have endet after them, i would have been perfectly happy (except that they should have played longer in that case). but then, it didn’t. well. they seemed to be very happy with us, their audience, too: after their gig, besides giving us sticks and plectrums, and tor atle, their drummer, even took of one of his cymbals and threw it into the crowd. i’ve never seen that before. unfortunately, it landed somewhere else, so no chance of grabbing it… afterwards i bought their album waves of visual decay, and the stage was prepared for the british prog metal act threshold. threshold seemed to enjoy playing for us, and we enjoyed listening to them, moving to the music, marvelling at their solos, their playing skills. it was simply fantastic. but then, everything’s ending, and after an encore with two very nice songs, i had to leave to catch the last train. curiously, i again met a couple on the way back which i already met after arena’s concert at the end of may; back then, they recommended me to try out ayreon, a project by arjen lucassen which produces fantastic prog operas. again, thanks a lot for this hint, i really like these operas. well, maybe i’ll write something on them later.

today i bought altar, a collaberation between boris and sunn o))). a really impressive, very abstract, dark, droning piece of art. making me want to rip off my headphones and keep listening the same time. making me addicted, to keep listening, my thoughts drifting away. having no clear images in my head. just feelings. creepy. noises are floating around, feeling as if the air would be liquid and different currents make the air look like an animated fractal, always changing shape, always in motion. making me want to move along. inevitably swallowing my attention, my thoughts. still, seeing nothing. giving me the creeps. i like it. love it.

my first contact with moonsorrow was on the 9th of april this year, when they were playing at the z-7 in pratteln. i didn’t knew them before, but i was told that i might like them. well. i did. after the concert, i decided i had to buy one of their albums, namely viides luku: hävitetty, which is finnish and means chapter five: ravaged, being their fifth album, and i immediately listened to it when i came home after the concert. less than two weeks later i also had the rest of their albums lying on my desk.
simlarly to finntroll’s visor om slutet, v: hävitetty is a very special album. consisting of just two tracks, each having around 30 minutes of music, it builds up an intense atmosphere throwing you back into the old times, when vikings were sailing the northern seas. in contrast to visor om slutet, most of this album is heavy, very heavy, transporting a completely different mood. the first six minutes of the first track can be seen as a separate song, called jäästä syntynyt (born of ice), a very atmospheric, slow, dreamy piece, featuring a short poem:

“auringon kuoleman syntyäkseen
uusi maailma tarvitsee
vain pisaran vettä kylmyyteen
käsillä juoksemaan ihmisten”

which translates to:

“through the death of the sun
a new world is born
a drop of water in cold
to run on the hands of man”

other bands would let this be a whole song.
after this, a twenty-five minutes long heavy sound scape named varjojen virta (stream of shadows) breaks loose on the listener, never being boring, recurring motifs varied, always melodic, sometimes a bit slower, mostly fast, screaming. closing my eyes, i can see vast landscapes and seascapes, raging storms, ships fighting the rough sea, endless forests, fog, darkness, bleak lives, people dying, battles raging. the music makes me want to move, it’s so intense, so beautiful, intoxicating. the lyrics are in finnish, with an english translation being provided in the booklet, allowing to enrich the experience, putting more emotions and emphasis into the music. they transport dreary feelings, are depressing, make me shiver. beautiful, in some sense, sorrowful, in another.
the second song on this album, tuleen ajettu maa, which means a land driven into the fire, begins with shaman chants, quickly progressing to heavy riffs, screams. similarly to varjojen virta, this sound scape is intense, dense, heavy, varying between more silent, folkish parts, many heavy parts, black metal thunderstorms, forming a fascinating masterpiece.
this one feels similarly depressing, bleak, even more aggressive. i can see boats floating, shaking on rough water, the sea trying to swallow the boats, i can see battles, fights, man against man, dying and dead people, the distinction between victor and loser being that one is dead, whereas the other is dying. skimming through the lyrics, i read as the last verse:

“näin kaikki päättyy, näen sen nyt
tämä sivu on viimeinen
näin kaikki päättyy, tyhjään ja unohdukseen
eikä kukaan tänne palaa”

translating to:

“this is how it ends, i can see it now
this page will be the last
this is how it ends, to emptiness, to oblivion
and none will ever return”

this is what the music makes me feel. makes me see, makes me think about, when i listen to it.

during updating my music player, i had to think about which albums to put on it and which ones to delete. my previous playlist was really biased towards heavy and dark music, so i decided to lighten it a bit up. well, at least from the musical side. but nonetheless, i decided to add something more heavy, namely something from sentenced, which was my favorite band for a very long time. i was thinking hard about which album(s) to put on the player. maybe something oldskool from the north from here? it contains the beautiful song northern lights. or maybe the love and death ep, containing classics like love and death (go hand in hand once more) and the way i wanna go. then, there’s the down album, my favorite beauties from this one are bleed (to death), sun won’t shine (on me without your love) and the agressive i’ll throw the first rock. well, then there’s the frozen album, my first sentenced album after all, and in my opinion still the best one. it contains one of my all time favorite songs, dead leaves. besides that (and many other great songs), it contains the slow rainy ballad the rain comes falling down, grave sweet grave and the (almost) instrumental burn (the pain away). but then, there are also beautiful songs like fragile, dead moon rising and my slowing heart on the crimson album, in particular the latter being so expressive through its monotony. it’s a really sad song, only being topped by no one there, the last song on the cold white light. no one there is one of the saddest songs i know. (if you have never heard it, consider watching its video.) besides this song, the cold white light features some more songs i want to mention: namely cross my heart and hope to die (may my end come tonight), the self-ironic excuse me while i kill myself and the ballad guilt and regret. and, last but not least, there’s sentenced terminal album, fittingly entitled the funeral album, which ends the misery with the great, even though more aggressive and more hateful, songs may today become the day (as i plunge into the gray), ever-frost, vengeance is mine, drain me and end of the road. so, there’re a lot of albums to chose from. my final decision was to include exactly the songs mentioned here, instead of a whole album. i’m really looking forward to tomorrow, when i have plenty of time to listen to this great collection of misery. it’s really a tragedy that sentenced is no more. rest in peace.

while searching for bands making similar music to the israli progdeath band orphaned land, i recently stumbled across another isreali band named distorted. i would describe their style as very progressive melodic oriental death metal, featuring a female clean voice besides the usual (male) death voice.
when i first stumbled about their homepage and started reading their member profiles, i was stunned: many of them are inspired by and listen to music which i like a lot:

• guy, their bass player, lists for example orphaned land, opeth and porcupine tree as his influences, and his top album of all time is orphaned land’s mabool;
• benny, their guitar player, mentions nevermore as one of his musical influences, and also lists mabool as his top album of all time;
• miri, their (clean voice) singer, lists the gathering, nevermore and opeth in her musical influence list, and mentions nevermore’s ingenious dead heart in a dead world, opeth’s deliverence, the gathering’s mandolyion and nevermore’s dreaming neon black as her top albums of all time;
• raffy, their (death voice) singer and guitarist, names tool, nevermore and opeth as his influences and lists tool’s aenima, nevermore’s enemies of reality and opeth’s deliverance as his top albums of all time.

well, this is a > 100 % increase of people i know who like pretty much the same music than me :-)
after seeing this and listening to one of their tracks (redemption) from their debut album (memorial) which they put online, i decided that i have to order their album. and so i did. it took some time until it arrived, but then, listening to it at a whole, i was pretty much blown away. it is simply great! it combines the oriental influences form orphaned land with the progressive death metal from opeth, adding a female voice (i know some of you will be sceptical about the latter, but i’d say it fits well and i don’t want to miss it). for me, this is one of the best albums (or maybe even, the best?) i’ve heard this year.

here’s a list of concerts i’ve been at this year, for historical reasons. not taking in account some classic concerts.

• 07.02.2007: therion, grave digger and sabaton were playing at the z-7 in pratteln (symphonic orchestral metal, and some more thrashy/whatever metal);
• 21.02.2007: amplifier and cloudride were playing at abart in zürich (progressive art rock);
• 24.02.2007: blackfield and pure reason revolution were playing at the z-7 in pratteln (progressive rock, art rock);
• 04.03.2007: …and you will know us by the trail of dead and forget cassettes were playing at the rote fabrik in zürich (alternative rock);
• 29.03.2007: morgana lefay, sacred steel, serenity and bitterness were playing at rock city in uster (various kinds of metal: death, prog, power, true, …);
• 09.04.2007: moonsorrow, swallow the sun and some band whose name i forgot played at the z-7 in pratteln (pagan metal, doom metal, death metal);
• 10.04.2007: circle ii circle, savage circus, tomorrow’s eve and tempesta were playing at the z-7 in pratteln (metal);
• 13.04.2007: moonspell, napalm death, behemoth, gojira and dew scented were playing at the z-7 in pratteln (death and black metal, metalcore);
• 16.05.2007: spock’s beard was playing at the z-7 in pratteln (progressive rock);
• 27.05.2007: trivium, annihilator and some band which was playing before the official opening time were playing at the rohstofflager in zürich (thrash metal);
• 29.05.2007: arena was playing at the z-7 in pratteln (progressive rock);
• 31.05.2007: anathema and moondawn were playing at the z-7 in pratteln (atmospheric rock with metal influences);
• 01.06.2007: machine head, type o negative, cataract and zatokrev were playing at the volkshaus in zürich (thrash metal, doom metal, metalcore and death metal);
• 27.06.2007: dream theater and megadeth were playing at the volkshaus in zürich (progressive metal, thrash metal).

if i’ll find the motivation (and if anyone cares), i might write a few words about some of these.

here’s a list of concerts i plan to attend during the last four months of this year. if i put a link to a bands’ homepage, this means i’m going to that concert to see this band (and as a side effect, also the non-linked ones).

• 13.09.2007: threshold, communic, machine men and serenity are playing in the z-7 in pratteln (progressive metal);
• 22.09.2007: fjoergyn, wolfchant, nastrandir und nuclear winter are playing in the dynamo in zurich (symphonic black/pagan/viking/death metal);
• 27.10.2007: moonsorrow, korpiklaani, excelsis and battlelore are playing at the viking/pagan festival in the stadthalle dietikon (folk/pagan metal);
• 31.10.2007: dream theater and symphony x are playing in the eulachhallen in winterthur (progressive metal);
• 09.11.2007: apocalyptica (with special guest not announced yet) is playing in the volkshaus in zürich (violin metal);
• 12.11.2007: porcupine tree and anathema are playing in the volkshaus in zürich (prog, atmospheric rock with metal influences);
• 16.11.2007: orchester accento musicale zürich is playing in the st. peter in zürich (classic);
• 17.11.2007: boob is playing in the helsinki klub in zürich (alternative/punk rock);
• 18.11.2007: amorphis, swallow the sun and insomnium are playing in the z-7 in pratteln (prog metal, doom metal);
• 27.11.2007: fish is playing in the z-7 in pratteln (progressive rock);
• 29.11.2007: halloween, gamma ray and axxis are playing in the stadthalle dietikon (power metal); (skipping that one because of lack of time)
• 05.12.2007: die ärzte are playing in the hallenstadion in oerlikon/zürich (fun punk);
• 14.12.2007: ensiferum, turisas and insania are playing in the z-7 in pratteln (viking metal).

unfortunately, i will miss finntroll playing in the z-7 on 05.12.2007…

in 2003, the finnish humppa metal band finntroll released an accoustic album called visor om slutet (songs about the end). unfortunately (for me), it took me four years to find out about it. it features a variety of folk songs: some rythmic, intense and melodic themes, some sound scapes which, when i close my eyes and let my thoughts go, paint beautiful pictures inside my head. it feels like roaming through ancient finnish forests, as in a fairy tale… so beautiful… meeting tweeting birds, trees swaying in the wind, trolls, chanting shamans… so many different instruments… if you have never listened to this, you definitely should. in my opinion, it’s worth every minute of time spend hearing it (even if you don’t like metal).