today i was on the last concert for this year – at least, the last one planned ahead more than a few days. this was probably also my last visit to the z-7 for this year.
this time, three bands were playing, the main act being ensiferum (which is latin and means as much as sword bearing), a finnish (what else) viking/folk metal band. well, as it is quite common for viking/folk metal bands nowadays, a huge crowd of kids was there. i saw the first ones at zurich main station, it was quite obvious that the drunken (or starting to get drunk) teenagers as the same track dressed in black were heading for the same destination. i haven’t felt so old for a long time…
the concert started with the swedish power metallers insania. as i already wrote once, i don’t like that kind of music too much, but it was ok. in particular, the singer made funny grimaces (though i’m not sure if it was intentional that they were funny). after that, a taiwanese symphonic black metal band called chthonic entered the stage, featuring an erhu (“chinese violin”). i liked that one pretty much, and i could stand the screaming way more than napalm death‘s or cradle of filth‘s screaming, which i pretty much hate, even though it was pretty similar (in my opinion).
finally, ensiferum entered the stage. well, one member (markus) sat down on a chair, and some guy announced that he isn’t feeling well, that they just fetched him from hospital and that they’ll bring him back right after the concert. that’s devotion! the result was that their gig lasted only a bit more than one hour, until markus let announce (one of the tech guys was regularly filling in water for him and handling him the cup, and passed on messages from him to the other band members) that he wasn’t feeling good and so the last song was announced. (the last song’s beginning was accompanied by chthonic‘s erhu player.) after that, they gave an encore, without markus though, and maybe even a second, but i decided to catch the train instead.
well. on the way back i was pretty much annoyed by the fact that apparently most of the night bus passengers have no clue how the thing works. they don’t manage to change bank notes into coins (there’s a machine for that), they don’t manage to buy the right tickets (there are instructions all over the place), they don’t manage to use the right bus entry (you have to enter in the front, and not try to enter at the other doors, and waiting for 30 seconds until figuring out that you can’t get in there), they don’t manage to prepare the regular ticket and the night surcharge to show it to the driver (instead, they start to search their pockets for another 30 seconds). i understand that some people don’t speak or read german and thus have trouble following the instruction, but i think this didn’t applied to most of them. well, but that explains why the night bus is always late, and the amount of time it is late increases at every stop (at least, as long as people are entering). but at least i could watch all this while sitting inside the bus, so i could listen to good music (kari, of course, as also during the train ride; a big contrast to the concert :) )…
posts about music. (page 3.)
today i was on an ärzte concert. actually, the concert took place around five minutes by foot from my apartment, which was pretty nice for the way back :)
die ärzte is a fun punk band from berlin (from berlin!), which is almost as old as me, and still alive after five year long break-up around 1990. well. i’ve already seen them twice, in 2001 in osnabrück and in 2004 in oldenburg, and i also own most of their albums. though i stopped listening to them in the last few years, i still wanted to see them again as i found out that they would play in zürich today, so i went.
the concert started with a support band, which unfortunately was played with way too low volume. i think they were quite good, but it sounded like background music in a pub while too many people are talking, and not like a band at a concert. that was really strange. but it turned out that die ärzte played with the “right loudness.” what was nice was the smoking ban, even though many simply ignored it. i really feel a lot better after concerts (and also on the next morning) if the air is not soaked with smoke…
during the support act, bela and farin appeared on the stage several times. for one song, they played all in panties with their trousers down (except the drummer and the bassist), which was somehow funny. the support played maybe for 30 minutes, and after that followed a around 30 to 45 minutes break. at 20:30, die ärzte entered the stage and rocked the house for the next 2:15 hours. even though i’ve never heard some of the songs before (probably from their newest album(s?) which i’ve never heard), i knew most songs and even remembered the lyrics. they played many classics, like der graf, schunder song, westerland (with wannsee replaced by zürisee), 2000 mädchen, rebell, …
the audience was really enthusiastic, and i had to back up a lot (from maybe 20-30 meters from the stage to something around 100 meters) to escape most of the mosh pit. probably i’m getting old, at least i prefer to stand a bit and enjoy the music without being thrown and pushed around all the time.
to sum it up, it was nice to see bela, rod and farin again. even if it’s just for the sake of reminiscence.
a very special, extraordinary band is the 3rd and the mortal, founded 1992 in norway. one of the first bands featuring a female lead singer, kari rueslåtten, they made a very atmospheric kind of doom metal, and later turned into more experimental stuff. unfortunately, kari left after the first two albums, the ep sorrow and the first full-length album tears laid in earth, which is considered to be the best album by the 3rd and the mortal.
it features eleven songs, ranging from only featuring kari’s voice, as the opener vandring, being somehow psychedelic, as shaman, being more heavy, as death-hymn, and instrumentals, as trial of past. the songs invite one to close the eyes, start dreaming. listening to kari’s enchanting voice carries me into a fantastic, gorgeous world. painted sometimes in dark, sometimes in hopeful colors, telling of love, death, sorrow. i’d say it’s one of the most beautiful albums i’ve ever listened to.
today, i attended fish‘s concert in the z-7. fish was one of the founding members of marillion, a british prog band which happens to be two years older than me, but left them in 1988, after marillion released the clutching at straws album in 1987. in the beginning of fish‘s gig, an intro video was shown, displaying all the 20 years from 1987 to 2007 with a famous scene from that year, with a subtitle relating it to fish in some humouros way. except 2000, when a picture of george w. showed up with the subtitle “what the fuck?!”, and 2004, when another picture of george w. showed up with “again? you assholes!” ;-)
well. the concert was really great; fish was in a great mood and told funny stories between the songs. i basically only knew the albums 13th star and clutching at straws before, but they played a couple of songs from these two, or at least i thought i recognized a few…
i originally planned to buy 13th star at the merchandize booth, but they only had a special edition there which had a way too high price for me… well. besides that, i was pretty tired and exhausted, had problems keeping standing, but survived till the end, had to run for the train, which almost killed me (running uphill while it’s freezing and when you’re exhausted and pretty dehydrated is not a good idea), but i caught the train and even managed to walk the way from the main station to my place in zürich (without running though). and now it’s time to grab some sleep.
good night.
i just watched william shakespeare‘s romeo and juliet, or, more precisely, baz luhrmann‘s 1996 interpretation romeo + juliet (imdb). i must admit that i only knew few crumbs of the story, but have never read it nor saw it as a play or movie before. (though i’ve been in verona at the house which is claimed to have been capulet’s, seeing there a bronze statue of juliet.)
i think there’s no need to spend many words on the story. there’s love, there’s hate, there’s death. tragedy. love and death, going hand in hand once more.
the movie transports the old tale into the new world. guns instead of swords. cars instead of horses. even though, the dialogue has not been touched: besides a few omissions, it’s shakespeare‘s original one. that made me turn on the subtitles after the first few words, fearing to miss something important, even though i stopped looking at them after a short time. it’s the most successful adaption of an old tale which i’ve seen so far; i usually tend to dislike or at least being annoyed by such modernizations.
while listening, i noticed that the soundtrack includes garbage‘s #1 crush, a song i like a lot. another familar tune showed up, with the ending credits, namely radiohead‘s exit music (for a film). it’s time to listen to them again…
to sum it up: it’s beautiful. absolutely. touched me, deeply.
good night.
mellipossu posted some videos from last sunday’s concert by insomnium, swallow the sun and amorphis:
- insomnium:
- swallow the sun:
- amorphis:
thanks a lot for the videos!
(well, a third one this weekend.) today, the finnish acts amorphis, swallow the sun and insomnium were playing in the z-7. the last weeks, i was anxiously waiting for this concert, as swallow the sun is one of my most favorite bands at the moment, as amorphis is also pretty good and i’ve been told that so is insomnium.
well. after arriving and seeing nobody i knew, insomnium started to play. they’re doing melodic death metal, and i really liked them. during their gig, i spotted a couple i’ve already met on arena‘s and threshold’s concerts. it’s always nice not to be alone on a concert :)
then, after a short break, swallow the sun‘s gig started. the one i really looked forward to. starting with the first three minutes of gloom, beauty and despair as an intro, they started with a great tour through their whole discography. the complete playlist:
- intro (first three minutes of gloom, beauty and despair);
- hope;
- descending winters;
- don’t fall asleep (horror, pt. 2);
- out of this gloomy light (live recording);
- the ship;
- these hours of despair (live recording);
- deadly nightshade;
- swallow (horror, pt. 1).
unfortunately, there was no encore. (i hope i’ll see swallow the sun as the headliner once…) to the sounds of the twin peaks score, the stage was rebuild for amorphis (last concert, they used twin peaks music as the intro). well. then amorphis played, the headliner for this evening, and also delivered a great show.
finally, everything was over, we walked back to the train station, arrived in zürich, and from there i had to walk home alone. well, same as yesterday, so i’m pretty much used to it :) now i’m looking forward to see how my neck’ll be feeling like, after so much headbanging… but it was definitely worth it!
yesterday i was visiting the helsinki klub in zürich with some friends, where a concert of the alternative/punk rockers boob from berne was taking place. there were a lot of people dancing to the music, and all of us had a great time. they also gave a longer encore, featuring two hip-hop/rap songs, which was, even though i usually don’t like that kind of music too much, pretty fun!
apparently boob has already played in the helsinki two weeks ago; two of my friends have already seen them there, while i had to stay at home suffering a terrible headache…
a few days ago, the finnish prog-metal project crimson lotus released a new single, called miseria. it’s awesome. it’s really too bad that they’re too busy to produce more stuff…
i was on another concert today. a classic one. but no classic/metal crossover as before, but a “real” classic one. the orchester accento musicale zürich played joseph haydn‘s cello concert in c major and georges bizet‘s symphony in c major, together with cellist patrick demenga for haydn’s symphony. i really enjoyed it.
