i first met swallow the sun on their concert in the z-7 in april, as a co-headliner of moonsorrow. lately, i’ve again started listening to their album hope, which i bought directly after the concert, and decided to get more, namely first their second album ghosts of loss and, finally, their debut, the morning never came. their music is dark, really dark. full of beauty, of intensity, of gloom, of melancholy. so intriguing, gripping me, making me longing for more. slow moments alternating with blasting, heavy moments. clear voice alternating with death voice, giving another example where death voice fits perfectly, increasing the intenseness of the music. as the line “insane pain” in the giant—one of my favorite songs—which, if presented in clear voice, would not making me shiver that much, would not paint the pictures in my head in such intense, vivid colors. a few lines from that song:

“i’ve been hiding this giant for too long
and it’s grown like a parasite inside me
under this shadow i’ve been walking
now it’s taken over me, and she…
the pure girl, leave me before it’s too late
or i will cut your wings”

another favorite of mine, gloom, beauty and despair, another song from the great ghosts of loss album (containing several twin peaks references), is not using clear vocals after all. the first three minutes, the music being slow, melodic, melancholic, the lyrics, telling the story of someone mourning the loss of his loved one, being barely understandable, as it’s screamed and whispered at the same time, making me feel the desperation, the anger, the mourning. simply beautiful. then, piano hits in, picking up the theme from the beginning, until the guitars and the death growls take over, the music still being slow, melancholic, but heavier, more desperate, making me feeling with the narrator.
i’m really looking forward to see them again.

yesterday and today i was traveling by train. here are some impressions:

well, last night was the first concert in my current schedule: serentiy, machine men, communic and threshold were playing in the z-7 in pratteln. i really enjoyed it. first, serenity, an austrian power prog band was playing. i’ve already seen them at the end of march, playing before sacred steel and morgana lefay, and i still don’t like them too much. it’s not about their technical skills or whatever, i just can’t really stand this symphonic power metal in some cases, and this is one of these cases. and their singer should pose a bit less… ;-) after serenity, a finnish melodic metal act called machine men started to rock off. them, i really enjoyed, and later i even bought one of their albums, circus of fools. after them, the norwegian band communic started playing. i’ve never seen them or heard music from them before and was pretty curious as i read some good things about them. they’re making prog metal and are quite influenced by nevermore, a band i really like. consisting of only three musicians, which is very seldom the case for prog related bands, playing guitars+vocals, bass and drums, they still managed to produce a very intense, beautiful stream of music. if the concert would have endet after them, i would have been perfectly happy (except that they should have played longer in that case). but then, it didn’t. well. they seemed to be very happy with us, their audience, too: after their gig, besides giving us sticks and plectrums, and tor atle, their drummer, even took of one of his cymbals and threw it into the crowd. i’ve never seen that before. unfortunately, it landed somewhere else, so no chance of grabbing it… afterwards i bought their album waves of visual decay, and the stage was prepared for the british prog metal act threshold. threshold seemed to enjoy playing for us, and we enjoyed listening to them, moving to the music, marvelling at their solos, their playing skills. it was simply fantastic. but then, everything’s ending, and after an encore with two very nice songs, i had to leave to catch the last train. curiously, i again met a couple on the way back which i already met after arena’s concert at the end of may; back then, they recommended me to try out ayreon, a project by arjen lucassen which produces fantastic prog operas. again, thanks a lot for this hint, i really like these operas. well, maybe i’ll write something on them later.

i’m back now. back home, in zurich. and we have been out yesterday, and it was wonderful, the weather being great, as great as it hasn’t been probably for a long, long time: the sun was shining bright, it was warm, and the places we visited on our trip were absolutely beautiful. we’ve been at brú na bóinne, visiting the passage graves knowth and newgrange. passage graves are basically hills with a tunnel (the passage) going inside, reaching finally a chamber, the grave itself. both of them are over 5000 years old, therefore being older than the pyramids in egypt. more interesting is the fact that newgrange’s inner chamber is completely dark all the time, except on midwinter, when, in case the sun isn’t blocked by clouds, it shines through a window over the tunnel into the grave and lightens it up a bit for around 17 minutes in the morning. it is amazing that such a long time ago, people managed to build this up with such a precision.

on our visit, we had the chance to enter the grave, and to get a tiny impression of this event, using electric light instead of sun beams. first, being completely dark inside, one sees light crawling onto the floor, slowly increasing, the shattered photons adding some light, allowing to recognize the room’s structure, the other watchers, and, according to our guide, even their faces and colors of the inside. then, the light slowly fades away, the darkness crawling back out of the holes, covering everything. the only color left being black. pure absence of light, for another 364 days, 23 hours and a lot of minutes. or even for millennia, when entry stones fell down, blocked the way inside for the sun. today it’s different, though, electric light allowing tourists to see something, to wander around in this grave, appreciating its construction, gazing at the decoration carved into the stones, the spirals.
then, finally, being out again, the view of the landscape feels so beautiful, the green much more intense, one is happy to have escaped the blackness.
now, feel free to enjoy some views on these places.

i’m currently staying in dublin, attending the 11th workshop on elliptic curve cryptography. our view on the countryside has been very brief, basically being limited to the view out of our cabs window on the way from the airport to our hotel. we haven’t seen much more from the city, mainly exploring the way from our hotel to the ucd campus, which means walking next to a big busy street for 20 minutes, walking a bit over trinity college yesterday on the way to the conference dinner, and then seeing the inside of some restaurants and pubs. a very nice pub was a real, completely non-touristic irish pub which we’ve been in two days ago (the only tourists in there being us). it were actually two pubs, connected by a small door and owned by the same person, the difference being a bit the ambient—the one more aristocratic, the other for the plebs—and, suprisingly, the prices, being slightly higher in the aristocratic part. well, and the people were slightly different too, like more suits could be seen in the aristocratic part. opposing to that, we were in a very touristic pub yesterday, with “folk” music and dancing. probably only remotely related to real irish traditions. but very popular among tourists.
another strange thing we encountered is the fact that almost noone here speaks irish. ask a random irish person on the streets, chances are really small he does. well, they apparently learn it in school, but they probably like it as much as the germans like to learn frensh in school: most aren’t able to do a conversation exceeding something like “hi, my name is felix, who are you?”…
this afternoon, we’ll probably see a bit more ireland; planning’s still to be done, we are aiming at something but it’s not sure yet that we can get there in time. if we do, i’ll write about it tomorrow, after my return home. stay tuned.

my first contact with moonsorrow was on the 9th of april this year, when they were playing at the z-7 in pratteln. i didn’t knew them before, but i was told that i might like them. well. i did. after the concert, i decided i had to buy one of their albums, namely viides luku: hävitetty, which is finnish and means chapter five: ravaged, being their fifth album, and i immediately listened to it when i came home after the concert. less than two weeks later i also had the rest of their albums lying on my desk.
simlarly to finntroll’s visor om slutet, v: hävitetty is a very special album. consisting of just two tracks, each having around 30 minutes of music, it builds up an intense atmosphere throwing you back into the old times, when vikings were sailing the northern seas. in contrast to visor om slutet, most of this album is heavy, very heavy, transporting a completely different mood. the first six minutes of the first track can be seen as a separate song, called jäästä syntynyt (born of ice), a very atmospheric, slow, dreamy piece, featuring a short poem:

“auringon kuoleman syntyäkseen
uusi maailma tarvitsee
vain pisaran vettä kylmyyteen
käsillä juoksemaan ihmisten”

which translates to:

“through the death of the sun
a new world is born
a drop of water in cold
to run on the hands of man”

other bands would let this be a whole song.
after this, a twenty-five minutes long heavy sound scape named varjojen virta (stream of shadows) breaks loose on the listener, never being boring, recurring motifs varied, always melodic, sometimes a bit slower, mostly fast, screaming. closing my eyes, i can see vast landscapes and seascapes, raging storms, ships fighting the rough sea, endless forests, fog, darkness, bleak lives, people dying, battles raging. the music makes me want to move, it’s so intense, so beautiful, intoxicating. the lyrics are in finnish, with an english translation being provided in the booklet, allowing to enrich the experience, putting more emotions and emphasis into the music. they transport dreary feelings, are depressing, make me shiver. beautiful, in some sense, sorrowful, in another.
the second song on this album, tuleen ajettu maa, which means a land driven into the fire, begins with shaman chants, quickly progressing to heavy riffs, screams. similarly to varjojen virta, this sound scape is intense, dense, heavy, varying between more silent, folkish parts, many heavy parts, black metal thunderstorms, forming a fascinating masterpiece.
this one feels similarly depressing, bleak, even more aggressive. i can see boats floating, shaking on rough water, the sea trying to swallow the boats, i can see battles, fights, man against man, dying and dead people, the distinction between victor and loser being that one is dead, whereas the other is dying. skimming through the lyrics, i read as the last verse:

“näin kaikki päättyy, näen sen nyt
tämä sivu on viimeinen
näin kaikki päättyy, tyhjään ja unohdukseen
eikä kukaan tänne palaa”

translating to:

“this is how it ends, i can see it now
this page will be the last
this is how it ends, to emptiness, to oblivion
and none will ever return”

this is what the music makes me feel. makes me see, makes me think about, when i listen to it.

yesterday i was making a trip with a friend of mine to the rigi, a 1800 meter high mountain here in switzerland. the weather was great: the sun was shining, it was pretty warm, and the sight was very good. i really like the view of mountains, forests, water and mountains, and fortunately, this time, i had my camera with me, resulting in a lot of pictures. some good, some not so good, and some already deleted :-) this time, i also tried to create some panorama pictures. after lots of hours of trying to figure out how to do this using hugin and after learning a lot about creating panorama photographs (like, that one should not move the camera but simply rotate it) —though learning them a little too late—, i’m able to present some results, which still have some errors (some more and some less obvious). here they are:

while searching for bands making similar music to the israli progdeath band orphaned land, i recently stumbled across another isreali band named distorted. i would describe their style as very progressive melodic oriental death metal, featuring a female clean voice besides the usual (male) death voice.
when i first stumbled about their homepage and started reading their member profiles, i was stunned: many of them are inspired by and listen to music which i like a lot:

• guy, their bass player, lists for example orphaned land, opeth and porcupine tree as his influences, and his top album of all time is orphaned land’s mabool;
• benny, their guitar player, mentions nevermore as one of his musical influences, and also lists mabool as his top album of all time;
• miri, their (clean voice) singer, lists the gathering, nevermore and opeth in her musical influence list, and mentions nevermore’s ingenious dead heart in a dead world, opeth’s deliverence, the gathering’s mandolyion and nevermore’s dreaming neon black as her top albums of all time;
• raffy, their (death voice) singer and guitarist, names tool, nevermore and opeth as his influences and lists tool’s aenima, nevermore’s enemies of reality and opeth’s deliverance as his top albums of all time.

well, this is a > 100 % increase of people i know who like pretty much the same music than me :-)
after seeing this and listening to one of their tracks (redemption) from their debut album (memorial) which they put online, i decided that i have to order their album. and so i did. it took some time until it arrived, but then, listening to it at a whole, i was pretty much blown away. it is simply great! it combines the oriental influences form orphaned land with the progressive death metal from opeth, adding a female voice (i know some of you will be sceptical about the latter, but i’d say it fits well and i don’t want to miss it). for me, this is one of the best albums (or maybe even, the best?) i’ve heard this year.

here’s a list of concerts i’ve been at this year, for historical reasons. not taking in account some classic concerts.

• 07.02.2007: therion, grave digger and sabaton were playing at the z-7 in pratteln (symphonic orchestral metal, and some more thrashy/whatever metal);
• 21.02.2007: amplifier and cloudride were playing at abart in zürich (progressive art rock);
• 24.02.2007: blackfield and pure reason revolution were playing at the z-7 in pratteln (progressive rock, art rock);
• 04.03.2007: …and you will know us by the trail of dead and forget cassettes were playing at the rote fabrik in zürich (alternative rock);
• 29.03.2007: morgana lefay, sacred steel, serenity and bitterness were playing at rock city in uster (various kinds of metal: death, prog, power, true, …);
• 09.04.2007: moonsorrow, swallow the sun and some band whose name i forgot played at the z-7 in pratteln (pagan metal, doom metal, death metal);
• 10.04.2007: circle ii circle, savage circus, tomorrow’s eve and tempesta were playing at the z-7 in pratteln (metal);
• 13.04.2007: moonspell, napalm death, behemoth, gojira and dew scented were playing at the z-7 in pratteln (death and black metal, metalcore);
• 16.05.2007: spock’s beard was playing at the z-7 in pratteln (progressive rock);
• 27.05.2007: trivium, annihilator and some band which was playing before the official opening time were playing at the rohstofflager in zürich (thrash metal);
• 29.05.2007: arena was playing at the z-7 in pratteln (progressive rock);
• 31.05.2007: anathema and moondawn were playing at the z-7 in pratteln (atmospheric rock with metal influences);
• 01.06.2007: machine head, type o negative, cataract and zatokrev were playing at the volkshaus in zürich (thrash metal, doom metal, metalcore and death metal);
• 27.06.2007: dream theater and megadeth were playing at the volkshaus in zürich (progressive metal, thrash metal).

if i’ll find the motivation (and if anyone cares), i might write a few words about some of these.

here’s a list of concerts i plan to attend during the last four months of this year. if i put a link to a bands’ homepage, this means i’m going to that concert to see this band (and as a side effect, also the non-linked ones).

• 13.09.2007: threshold, communic, machine men and serenity are playing in the z-7 in pratteln (progressive metal);
• 22.09.2007: fjoergyn, wolfchant, nastrandir und nuclear winter are playing in the dynamo in zurich (symphonic black/pagan/viking/death metal);
• 27.10.2007: moonsorrow, korpiklaani, excelsis and battlelore are playing at the viking/pagan festival in the stadthalle dietikon (folk/pagan metal);
• 31.10.2007: dream theater and symphony x are playing in the eulachhallen in winterthur (progressive metal);
• 09.11.2007: apocalyptica (with special guest not announced yet) is playing in the volkshaus in zürich (violin metal);
• 12.11.2007: porcupine tree and anathema are playing in the volkshaus in zürich (prog, atmospheric rock with metal influences);
• 16.11.2007: orchester accento musicale zürich is playing in the st. peter in zürich (classic);
• 17.11.2007: boob is playing in the helsinki klub in zürich (alternative/punk rock);
• 18.11.2007: amorphis, swallow the sun and insomnium are playing in the z-7 in pratteln (prog metal, doom metal);
• 27.11.2007: fish is playing in the z-7 in pratteln (progressive rock);
• 29.11.2007: halloween, gamma ray and axxis are playing in the stadthalle dietikon (power metal); (skipping that one because of lack of time)
• 05.12.2007: die ärzte are playing in the hallenstadion in oerlikon/zürich (fun punk);
• 14.12.2007: ensiferum, turisas and insania are playing in the z-7 in pratteln (viking metal).

unfortunately, i will miss finntroll playing in the z-7 on 05.12.2007…